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Jackson Pollock's Abstract Expressionism

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No. 5, 1948

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This painting exemplifies Pollock’s drip technique, carried out on an extensive scale and is known for being one of the most expensive paintings ever sold. It highlights the shift towards Abstract Expressionism with its lack of focal point and embrace of artistic chaos.

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Mural (1943)

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Mural represents Pollock's early experiments with a large scale format and dripping paint. This work marked his move towards Abstract Expressionism, influencing the scale and techniques of future Abstract painters.

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Blue Poles (Number 11, 1952)

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Blue Poles features Pollock's signature drip-style with the addition of vertical elements that resemble poles. This aggressive and dynamic technique pushed the boundaries of Abstract Expressionism's emphasis on structure within chaos.

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Number 17A (1948)

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Number 17A showcases Pollock’s iconic drip painting style during his 'drip period'. Its fluid lines and overlapping colors influenced many abstract painters to consider the painting process as part of the art itself.

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Autumn Rhythm (Number 30, 1950)

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Autumn Rhythm is characterized by its monumental size and energetic drip-and-splash technique, epitomizing the 'action painting' aspect of Abstract Expressionism. It exemplified the movement's celebration of spontaneity and subconscious creation.

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Lavender Mist (Number 1, 1950)

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In Lavender Mist, the intricate web of colors and drips illustrates Pollock's technique that merges painted and canvas surface thus dissolving traditional notions of figure-ground relationships, significant for the development of Abstract Expressionism.

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The Deep (1953)

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The Deep demonstrates Pollock’s late painting style characterized by the use of impasto and contrasting light and dark colors to create depth. It stands out as an introspective work that reveals the emotional intensity associated with Abstract Expressionism.

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Convergence (1952)

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Convergence is a prime example of Pollock's 'drip and splash' style with its clashing colors and dense composition, it challenges the viewer's search for coherence, epitomizing Abstract Expressionism's focus on the act of painting itself.

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One: Number 31, 1950

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This painting highlights Pollock's action painting technique, where the layered drip and pour methodology reflected the energy and complexity of Abstract Expressionism. The piece showcases an emphasis on the physical act of painting.

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No. 11, 1952 (Black and White)

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In this work, Pollock reduces his palette to black and white, emphasizing the dramatic impact of his drip technique. The painting shows how Abstract Expressionism could communicate powerful emotions and depth even in the absence of color.

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