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The Auteur Theory
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Flashcards
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Quentin Tarantino
Non-linear storylines, stylized violence, 'Pulp Fiction', 'Kill Bill', 'Django Unchained'
Sofia Coppola
Subdued storytelling, focus on female protagonists, 'Lost in Translation', 'The Virgin Suicides', 'Marie Antoinette'
Lars von Trier
Controversial subjects, 'Breaking the Waves', 'Melancholia', 'Dogville'
Stanley Kubrick
Attention to visual detail, controversial themes, '2001: A Space Odyssey', 'The Shining', 'A Clockwork Orange'
Tim Burton
Gothic fantasy style, 'Edward Scissorhands', 'The Nightmare Before Christmas', 'Beetlejuice'
Yasujirō Ozu
Subtle storytelling, tatami shot, 'Tokyo Story', 'Late Spring', 'Floating Weeds'
Akira Kurosawa
Epic narratives, innovative editing, 'Seven Samurai', 'Rashomon', 'Ran'
Federico Fellini
Dreamlike imagery, personal storytelling, '8½', 'La Dolce Vita', 'Amarcord'
Martin Scorsese
Exploration of flawed humanity, dynamic camera work, 'Taxi Driver', 'Goodfellas', 'The Departed'
Wes Anderson
Stylized visuals, symmetrical compositions, 'The Grand Budapest Hotel', 'Moonrise Kingdom', 'The Royal Tenenbaums'
David Lynch
Surrealism, auditory design, 'Mulholland Drive', 'Blue Velvet', 'Twin Peaks'
Francis Ford Coppola
Epic storytelling, 'The Godfather' series, 'Apocalypse Now', 'The Conversation'
Terrence Malick
Philosophical themes, natural imagery, 'The Tree of Life', 'Badlands', 'The Thin Red Line'
Hayao Miyazaki
Rich animations, environmental themes, 'Spirited Away', 'My Neighbor Totoro', 'Princess Mononoke'
Pedro Almodóvar
Vibrant storytelling, complex female characters, 'Talk to Her', 'All About My Mother', 'The Skin I Live In'
Steven Spielberg
Blockbuster filmmaking, emotive storytelling, 'Jaws', 'E.T. the Extra-Terrestrial', 'Schindler's List'
Jean-Luc Godard
French New Wave pioneer, breaking cinematic norms, 'Breathless', 'Pierrot le Fou', 'Alphaville'
Alfred Hitchcock
Pioneering use of suspense, iconic thrillers, 'Psycho', 'Rear Window', 'Vertigo'
Woody Allen
Neurotic characters, wit and comedy, 'Annie Hall', 'Manhattan', 'Midnight in Paris'
Guillermo del Toro
Dark fantasy universes, 'Pan's Labyrinth', 'The Shape of Water', 'Hellboy'
Paul Thomas Anderson
Character-focused narratives, 'There Will Be Blood', 'Boogie Nights', 'Phantom Thread'
Jane Campion
Complex female leads, 'The Piano', 'Bright Star', 'The Power of the Dog'
Christopher Nolan
Complex narratives, puzzle-like stories, 'Inception', 'The Dark Knight', 'Memento'
Ingmar Bergman
Psychological depth, existential questions, 'The Seventh Seal', 'Persona', 'Wild Strawberries'
Joel and Ethan Coen
Dark humor, genre experimentation, 'Fargo', 'The Big Lebowski', 'No Country for Old Men'
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