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Composer: Alexandre Desplat. The score, which won an Academy Award, features a whimsical and romantic tone, reflecting the unconventional love story of the film.

Composer: Klaus Doldinger. The music combines a sense of wonder and adventure, with the main theme capturing the spirit of the boundless fantasy world in the film.

Composer: Herbert Stothart, with songs by Harold Arlen and E.Y. Harburg. The film's iconic songs are matched by a lush, symphonic score that underlines the magical journey to Oz.

Composer: Mark Knopfler. The score is widely recognized for its light-hearted and enchanting music, reflecting the film's mix of romance, adventure, and comedy.

Composer: James Horner. Horner crafted a swashbuckling and emotive score that accompanies the film's magical elements and the epic journey of its characters.

Composer: Howard Shore. The score features leitmotifs representing the Fellowship, the Shire, and other elements of Middle-earth.

Composer: Harry Gregson-Williams. His score reflects the grandeur and mystery of Narnia, with themes for the Pevensie children and the majestic Aslan.

Composer: John Williams. The score is known for its iconic 'Hedwig's Theme', which became the main musical theme for the series.

Composer: Howard Shore. Shore returns to the themes established in The Lord of the Rings trilogy, while also introducing new motifs for the dwarves and dragon Smaug.

Composer: Danny Elfman. The score captures the whimsy and twisted atmosphere of Wonderland, with a recurring theme for Alice's journey.

Composer: John Powell. Powell's score is powerful and vibrant, full of soaring themes that capture the flight and friendship between Hiccup and his dragon.

Composer: Alan Menken. The magical and romantic score is filled with memorable melodies, including 'Be Our Guest' and the titular 'Beauty and the Beast'.

Composer: Trevor Jones, with contributions from David Bowie. The musical landscape for this film is a mix of dark fantasy underscore with pop songs performed by Bowie.

Composer: Javier Navarrete. Navarrete's music is haunting and fairy tale-like, suitable for the film's dark fantastical theme.