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Alexandre Desplat composed the score, with his use of stately, reserved, and sometimes minimalistic orchestration to embody the historical significance and personal struggle of King George VI.

John Williams composed the score, utilizing violin solos to reflect the sorrow and pain of the Jewish experience during the Holocaust, as well as traditional Jewish music influences.

Composed by James Horner, the score blends Celtic instruments and motifs with a romantic and epic orchestral background, reflecting the early 20th-century setting and the tragic love story aboard the RMS Titanic.

The film features contemporary and post-punk music selected by Sofia Coppola and music supervisor Brian Reitzell, as well as pieces of Baroque classical music. This creates an anachronistic soundscape that reflects the lavish lifestyle of the French queen in contrast with modern sensibilities.

Craig Armstrong composed the score, which subtly combines traditional English classical and folk elements with modern composing techniques to evoke the Victorian Era in rural England.

Composed by Dario Marianelli, the score incorporates typewriter sounds into the orchestral music, reflecting the film's narrative device and the World War II era.

Trevor Jones and Randy Edelman composed the score, with music that reflects both the 18th-century American frontier setting and incorporates elements of Native American music traditions.

Though the film features the music of Wolfgang Amadeus Mozart himself, it was adapted by Neville Marriner. The authentic works of Mozart are used to accurately represent the classical period in which the film is set.

Composed by Leonard Rosenman, the score features adaptations of classical music pieces from the 18th century, mirroring the time period of the film and enhancing the historical narrative.

John Williams scored the film, creating a historically reflective ambiance with a solemn orchestral soundtrack that references American folk tunes of the Civil War era.

Michael Nyman is responsible for the film's score. He uses the piano extensively to drive the narrative and to reflect both the Victorian era and the protagonist's mute character.

The score was composed by Hans Zimmer and Lisa Gerrard. It reflects the time period by using a blend of orchestral music with synthetic sounds and the vocalizations of Gerrard to evoke the dramatic tension and the grandeur of ancient Rome.

The score was composed by David Hirschfelder. The music fuses modern compositional techniques with period-appropriate elements to reflect the Renaissance era and the royal court of Queen Elizabeth I.

Iva Davies, Christopher Gordon, and Richard Tognetti composed the film’s score, which includes period music used aboard ships, adding authenticity to the early 19th-century naval setting.