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Simple 4/4 time with a syncopated rhythm, combining sixteenth and eighth notes.

Simple 3/4 time, half note holds for two beats, then a pause, followed by a quarter note.

Simple 3/4 time, starting with silence followed by a stepping rhythm.

Simple 4/4 time, syncopated rhythm with a quick note leading into a longer one.

Simple 4/4 time, each half note receives two beats.

Simple 3/4 time, half note receives two beats, quarter notes receive one beat each.

Simple 3/4 time, with an elongated first beat followed by a steady second beat and again an elongated third beat.

Simple 4/4 time, with dotted quarter notes each receiving 1.5 beats, followed by a single beat quarter note.

Simple 4/4 time, staccato eighth notes alternating with eighth rests.

Simple 4/4 time, each pair of eighth notes receives one beat.

Compound 6/8 time, each dotted quarter note takes up the space of three eighths, creating a sense of two beats per measure.

Simple 4/4 time with a rhythm that combines quick and slow elements.

Simple 4/4 time, two dotted quarter notes followed by a regular quarter note.

Simple 6/4 time, each dotted half note receives three beats.

Simple 3/4 time, a single beat followed by a note lasting twice as long.

Simple 4/4 time, each quarter note receives one beat.

Simple 4/4 time, creating a syncopated, long-short pattern.

Simple 4/4 time, dotted half note receives three beats and quarter note receives one beat.

In a 5/4 time signature, the tied notes create a sustained sound across the measure.

Simple 4/4 time, the whole note receives four beats.

Simple 4/4 time with syncopation, where the dotted quarter note ties across the beat.

Simple 2/4 time, with a syncopated rhythm using mixed eighth and sixteenth notes.

Simple 4/4 time, three quarter note triplets span two beats.

Simple 4/4 time, each group of four sixteenth notes receives one beat.

Simple 4/4 time, the whole note receives four beats.

Simple 4/4 time, silence on the downbeats and sound on the offbeats.

Simple 4/4 time, half notes take two beats while the eighth notes fill one beat.

Compound 9/8 time, with quarter notes taking up the first three beats, followed by the equivalent of one more beat split into a dotted quarter and an eighth note.

Simple 4/4 time, with each set of triplet eighth notes taking up one beat.

Simple 4/4 time, with a dotted eighth note leading into a sixteenth note, followed by two quarter notes.

Simple 4/4 time, three half note triplets spanning two measures.

Simple 2/4 time with a playful, syncopated rhythm pattern.

Simple 3/4 time, a rhythm that starts and ends with motion around a steady beat.

Simple 4/4 time, the half note takes up the first two beats, while the eighth notes run through the last two beats.

Simple 4/4 time with a rhythm combining quick and slow elements.

Simple 4/4 time, with a rhythm that alternates between quarter notes and pairs of eighth notes.

Compound 12/8 time, mimicking a 4/4 rhythm with a triplet feel.

Simple 4/4 time, alternating between quick notes and rests creates a staccato effect.

Simple 4/4 time, beginning and ending the measure with a note that lasts for two beats.

Simple 4/4 time, starts with one beat and then accelerates into a burst of quick notes.

Compound 6/8 time, each beat is a dotted quarter note, subdivided into three eighth notes.

Simple 4/4 time, with two beats, a pause, then another beat.