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Christo and Jeanne-Claude's massive installation in Central Park features saffron-colored fabric gates and reflects on the themes of transience, the use of public space, and the temporary nature of art.

Nam June Paik's pioneering work presents a bank of televisions tailored to represent the USA map which questions the role of mass media and the impact of technology on American life.

Ilya and Emilia Kabakov's installation takes on psychological and existential themes, with a focus on the human desire for hope and the unreachable, by showing a figure climbing a ladder towards the sky.

Carsten Höller's interactive series of slides delves into human behavior and playfulness, suggesting a re-evaluation of architectural space with regards to human emotions and the joy of letting go.

Andy Warhol's installation featuring numerous Mona Lisa replicas in a grid confronts the notion of originality in art and comments on mass-production, fame, and the art market's influence on art valuation.

Martin Kippenberger's installation assembles a disorganized array of desks and chairs, coupled with job application paraphernalia, to explore the absurdity of social systems and the quest for meaning.

Joseph Beuys voluntarily confined himself with a coyote in a New York gallery for several days, to reconcile human civilization with the natural world and critique the commodification of nature.

Doris Salcedo's installation explores the themes of racism and colonialism by manifesting a physical 'wound' in the museum's floor, prompting viewers to consider the deep divisions in society.

Anish Kapoor's monumental sculpture creates an immersive experience by engulfing visitors within its massive, blood-red PVC interior, prompting reflection on space, perception, and the sublime.

Tracey Emin exposes her personal life as an open book by displaying her unmade, disheveled bed, surrounded by intimate objects to discuss vulnerability and the private versus public self.

Damien Hirst's diamond-encrusted skull is a commentary on mortality, wealth, and the commodification of human life and death, igniting discussions about the value of art itself.

Christo and Jeanne-Claude surrounded eleven islands in Miami's Biscayne Bay with pink fabric, synthesizing art with environmental landscape to provoke thought on human intervention in nature.

Tara Donovan's use of everyday materials like cups or straws to create forms resembling natural phenomena prompts viewers to question the distinguishing line between the natural world and artificial constructs.

Olafur Eliasson's work transforms the gallery space into a surreal and immersive sun environment to explore human perception and the impact of environment on experience.