Discover published sets by community

Ai Weiwei, 2010, Millions of hand-painted porcelain seeds spread in Tate Modern's Turbine Hall.

Rirkrit Tiravanija, 2006, The transformation of gallery space into a place for social interaction and food-sharing.

Doris Salcedo, 2007, A long crack stretching the floor of Tate Modern, exploring racial and colonial history.

Christo and Jeanne-Claude, 2005, Saffron-colored fabric gates installed in New York's Central Park.

Carsten Höller, 2006, A series of giant slides within Tate Modern, offering a physical and psychological exploration.

Rachel Whiteread, 1993, A life-sized cast of the interior of a Victorian house, highlighting absence and memory.

Tracey Emin, 1998, An unmade dirty bed, displaying private calamity and personal history.

Damien Hirst, 2007, A platinum cast of a human skull encrusted with diamonds, challenging themes of wealth and mortality.

Christo and Jeanne-Claude, 1983, Islands in Miami's Biscayne Bay surrounded by pink fabric, transforming the environment.

Tatsuo Miyajima, 1999, An installation using LED counters to signify the constant passing of time.

Olafur Eliasson, 2003, A vast artificial sun installation at Tate Modern's Turbine Hall.

Ragnar Kjartansson, 2012, A multi-screen video installation capturing musicians playing simultaneously in separate rooms of a mansion.

Felix Gonzalez-Torres, 1990, A carpet of individually wrapped candies, reflecting themes of loss and the AIDS crisis.

Richard Serra, 2005, Enormous steel sheets forming spirals and ellipses, changing the perception of time and space.

Michael Heizer, 2012, A 340-ton boulder suspended over a walkway at the Los Angeles County Museum of Art.

Roger Hiorns, 2008, A defunct London flat was crystallized internally with blue copper sulfate crystals.

Martin Kippenberger, 1994, An assembly of diverse chairs and tables, alluding to Kafka's unfinished novel.

Miroslaw Balka, 2009, A massive steel container darkened inside, referencing traumatic historical events.

Joseph Beuys, 1974, A performance where the artist shared a room with a coyote for three days.

Kara Walker, 2014, A massive sphinx-like sugar sculpture commenting on the history of sugar and slavery.

Anish Kapoor, 2006, The iconic, mirrored sculpture located at Chicago's Millennium Park.

Rachel Whiteread, 2005, Thousands of white polyethylene boxes piled in various formations, signifying memory and space.

Judy Chicago, 1974-1979, A symbolic history of women in Western civilization with 39 elaborate place settings.

Martin Creed, 1999, A light-based installation showcasing the phrase, operating as a positive reassurance in public spaces.