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The Method, or Method Acting, emphasizes internal psychological experiences.

The Adler technique focuses on the actor's imagination, with analytical work on the script's given circumstances.

Theatre of the Oppressed, a series of exercises, games, and techniques to promote social and political change.

Used Commedia dell'arte techniques, emphasizing improvisation, physical comedy, and social criticism.

Poor Theatre, physical skill and precision, elimination of the barrier between actor and audience.

Suzuki Method, focuses on concentration, the center of gravity, and connecting with the audience.

Hagen's approach includes substitution, emotional memory, and the idea of 'transference'.

Viewpoints method, focusing on movement and the actor's relationship to space, time, and each other.

Biomechanics, an actor training system combining physicality and the psychological.

Meisner Technique centers on 'the reality of doing' and emphasizes actor's impulses and reactions.

Stanislavski's system involves emotional memory, the 'magic if', and ensemble acting.