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Stanislavski's system involves emotional memory, the 'magic if', and ensemble acting.

The Method, or Method Acting, emphasizes internal psychological experiences.

The Adler technique focuses on the actor's imagination, with analytical work on the script's given circumstances.

Meisner Technique centers on 'the reality of doing' and emphasizes actor's impulses and reactions.

Hagen's approach includes substitution, emotional memory, and the idea of 'transference'.

Chekhov's method involves the use of the 'psychological gesture', imagination, and transformation.

Poor Theatre, physical skill and precision, elimination of the barrier between actor and audience.

Viewpoints method, focusing on movement and the actor's relationship to space, time, and each other.

Theatre of the Oppressed, a series of exercises, games, and techniques to promote social and political change.

Biomechanics, an actor training system combining physicality and the psychological.

Used Commedia dell'arte techniques, emphasizing improvisation, physical comedy, and social criticism.