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Theatre of the Oppressed, a series of exercises, games, and techniques to promote social and political change.

Suzuki Method, focuses on concentration, the center of gravity, and connecting with the audience.

Chekhov's method involves the use of the 'psychological gesture', imagination, and transformation.

Stanislavski's system involves emotional memory, the 'magic if', and ensemble acting.

The Adler technique focuses on the actor's imagination, with analytical work on the script's given circumstances.

Viewpoints method, focusing on movement and the actor's relationship to space, time, and each other.

Biomechanics, an actor training system combining physicality and the psychological.

Meisner Technique centers on 'the reality of doing' and emphasizes actor's impulses and reactions.

Hagen's approach includes substitution, emotional memory, and the idea of 'transference'.

Poor Theatre, physical skill and precision, elimination of the barrier between actor and audience.

Used Commedia dell'arte techniques, emphasizing improvisation, physical comedy, and social criticism.