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Intertextuality in Postmodern Works

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Slaughterhouse-Five by Kurt Vonnegut

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References to the works of Kilgore Trout, a fictional science fiction author; allusions to World War II events; direct address to the author.

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The Crying of Lot 49 by Thomas Pynchon

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References to historical events and cultural figures, fictional Tristero postal system drawing from real historical systems.

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Infinite Jest by David Foster Wallace

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Allusions to tennis, drug addiction, and entertainment culture; use of endnotes that comment on the story and reference real and fictional texts.

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Foucault's Pendulum by Umberto Eco

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Allusions to occult and conspiracy theories; metafictional narrative; plays with historical facts and their interpretations.

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House of Leaves by Mark Z. Danielewski

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References to mythology, literary theory, and architecture; multiple narrative layers and footnotes; typographical experimentation.

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Midnight's Children by Salman Rushdie

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References to Indian history and mythology; intertwining of historical events with the fantastical story of the protagonist; allusions to other literary works.

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White Noise by Don DeLillo

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Critique and parody of academia and popular culture; pastiche of media saturation; references to history and modern consumerism.

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American Psycho by Brett Easton Ellis

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Satire of '80s yuppie culture; pastiche of consumerism, brand names, and superficiality; intertextual references to music and pop culture of the era.

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The Name of the Rose by Umberto Eco

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Allusions to medieval and biblical texts; references to semiotics and literary theory; interweaving of historical figures and fictional narrative.

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Beloved by Toni Morrison

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References to African-American folklore and history; biblical allusions; fragmentation of narrative structure akin to jazz music.

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