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Intertextuality in Postmodern Works
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Slaughterhouse-Five by Kurt Vonnegut
References to the works of Kilgore Trout, a fictional science fiction author; allusions to World War II events; direct address to the author.
The Crying of Lot 49 by Thomas Pynchon
References to historical events and cultural figures, fictional Tristero postal system drawing from real historical systems.
Infinite Jest by David Foster Wallace
Allusions to tennis, drug addiction, and entertainment culture; use of endnotes that comment on the story and reference real and fictional texts.
Foucault's Pendulum by Umberto Eco
Allusions to occult and conspiracy theories; metafictional narrative; plays with historical facts and their interpretations.
House of Leaves by Mark Z. Danielewski
References to mythology, literary theory, and architecture; multiple narrative layers and footnotes; typographical experimentation.
Midnight's Children by Salman Rushdie
References to Indian history and mythology; intertwining of historical events with the fantastical story of the protagonist; allusions to other literary works.
White Noise by Don DeLillo
Critique and parody of academia and popular culture; pastiche of media saturation; references to history and modern consumerism.
American Psycho by Brett Easton Ellis
Satire of '80s yuppie culture; pastiche of consumerism, brand names, and superficiality; intertextual references to music and pop culture of the era.
The Name of the Rose by Umberto Eco
Allusions to medieval and biblical texts; references to semiotics and literary theory; interweaving of historical figures and fictional narrative.
Beloved by Toni Morrison
References to African-American folklore and history; biblical allusions; fragmentation of narrative structure akin to jazz music.
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