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Parody and Pastiche in Postmodernism
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Foe by J.M. Coetzee
Pastiche is utilized in reworking Daniel Defoe's 'Robinson Crusoe', exploring themes of language and representation, while critically engaging with the original text's colonial context.
Gravity's Rainbow by Thomas Pynchon
The novel uses pastiche by mixing elements of different genres such as spy thrillers, war novels, and science fiction, and it incorporates slapstick humor with historical detail.
Lost in the Funhouse by John Barth
This collection of short stories features parody and pastiche through its playfulness with narrative form, directly addressing the reader and subverting traditional storytelling methods.
Postmodern Pooh by Frederick Crews
A parody of academic literary criticism, the book presents fictional essays on Winnie-the-Pooh as if it were a serious subject of postmodern studies.
Neuromancer by William Gibson
Pastiche is used in this cyberpunk novel through its amalgamation of noir detective themes with futuristic tech jargon to form a new genre narrative.
Pale Fire by Vladimir Nabokov
This novel uses pastiche by presenting a fictional poem followed by a commentary that parodies literary criticism, with embedded narratives and academic egotism.
Slaughterhouse-Five by Kurt Vonnegut
Partly parodic, the novel satirizes war by juxtaposing the horrific with the absurd, underlying its anti-war message with irony and black humor.
Ishmael by Daniel Quinn
Although not primarily recognized for pastiche, the novel satirizes the Socratic dialogue by using it to dismantle cultural myths and to interrogate the assumptions of Western civilization.
The Name of the Rose by Umberto Eco
Uses pastiche by imitating medieval manuscripts and biblical analysis within a detective narrative, blending religious lore and literature with mystery.
The French Lieutenant's Woman by John Fowles
Employs pastiche through the adoption of a 19th-century Victorian style while infusing it with modern commentary and metafictional elements.
The Crying of Lot 49 by Thomas Pynchon
The novel employs pastiche through its use of various textual styles and genres, mimicking the narrative forms of detective fiction, among others.
Beloved by Toni Morrison
Though not overt, the novel subtly employs pastiche through its blending of African-American folklore, history, and magical realism to construct a narrative on slavery's legacy.
Infinite Jest by David Foster Wallace
This novel extensively uses pastiche, combining journalistic prose, scientific reports, and colloquial language to create a multifaceted narrative structure.
White Noise by Don DeLillo
This novel includes pastiche by emulating the language of media saturation and consumer culture, often exaggerating for effect to critique these phenomena.
House of Leaves by Mark Z. Danielewski
Through pastiche, the novel imitates academic criticism, documentary photography, and personal narrative, constructing a labyrinthine structure of footnotes and multiple narrators.
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