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Criticized for hypocrisy or dogmatism in 'Candide' by Voltaire.

Parodied for sensationalism and lack of substance in 'Brave New World' by Aldous Huxley.

Lampooned for perpetuating inequality in 'A Tale of Two Cities' by Charles Dickens.

Ridiculed for being illogical and inconsistent in 'Gulliver's Travels' by Jonathan Swift.

Highlighted as bureaucratic and inefficient in 'Catch-22' by Joseph Heller.

Criticized for absurdity and existential dread in 'Waiting for Godot' by Samuel Beckett.

Critiqued for ethical lapses and lack of foresight in 'Frankenstein' by Mary Shelley.

Satirized for irrationality and melodrama in 'Sense and Sensibility' by Jane Austen.

Parodied for its conformity and emptiness in 'Revolutionary Road' by Richard Yates.

Mocks their pretentiousness and shallow values in 'The Great Gatsby' by F. Scott Fitzgerald.

Exposed as subjective and biased in 'One Hundred Years of Solitude' by Gabriel García Márquez.

Lampooned for being based on social status rather than love in 'Pride and Prejudice' by Jane Austen.

Deconstructed for their perceived superiority and imperialism in 'Heart of Darkness' by Joseph Conrad.

Depicted as greedy and exploitative in 'The Jungle' by Upton Sinclair.

Ridiculed for short-sightedness and hypocrisy in 'The Lorax' by Dr. Seuss.

Portrayed as corrupt or self-serving in works like 'Animal Farm' by George Orwell.

Exposed as convoluted and unjust in 'Bleak House' by Charles Dickens.

Shown as incompetent and absurd in 'Männer against Panzer' by Robert Graves.

Exposed for its superficiality and obsession with appearance in 'American Psycho' by Bret Easton Ellis.

Satirized for being profit-driven and impersonal in 'Catch-22' by Joseph Heller.

Depicted as outmoded and stifling individuality in 'Hard Times' by Charles Dickens.

Mocked for pretentiousness and inaccessibility in 'Don Quixote' by Miguel de Cervantes.

Mocked for pretension and subjectivity in 'The Picture of Dorian Gray' by Oscar Wilde.

Caricatured for its fickleness and vanity in 'The Devil Wears Prada' by Lauren Weisberger.

Poked fun at for creating a culture of excess in 'Fight Club' by Chuck Palahniuk.