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Writes about the evolution of popular music genres, particularly post-punk and electronic music, and has developed theories about nostalgia and retromania in music.

Although more widely remembered for feminist writing, her contributions to music criticism engaged with the intersection of politics, culture, and the personal elements of rock music.

Known for his work with the Chicago Tribune and as a co-host of 'Sound Opinions', Kot's criticism explores the intersection of music with social and digital trends, and includes extensive analysis of rock and hip-hop.

Often associated with the early development of rock music journalism, his criticism includes a focus on the energy and spirit of rock and pop culture.

Known for commentary during intermissions of the New York Philharmonic, as well as a comprehensive approach to both classical and film music criticism.

His work in jazz criticism often involves discussions of race and American identity, an emphasis on swing as the central element of jazz, and critiques of avant-garde movements within jazz.

Best known for challenging the idea of 'guilty pleasures' in music and introducing sociological and philosophical lenses to music criticism.

His work encompasses the challenge to accepted musicological narratives, insistence on the performative aspect of music, and ethical considerations in performance practice.

Her criticism encapsulates the exploration of gender in music, reflects on the DIY and punk scenes, and advocates for marginalized voices in the music community.

While his main focus was the philosophy of music, Adorno's criticism involves the analysis of the sociological and cultural aspects of music, as well as the study of the fetishization of music under capitalism.

Known for his critical standards in evaluating performances, promotion of the 'Great Tradition' in music, and historical perspectives on music criticism.

Though known primarily as a composer and conductor, Bernstein's music criticism includes his televised Young People's Concerts which introduced classical music theory and appreciation to new audiences.

Writings about the 'purely musical', his belief in the autonomy of music, and criticism of music's dependence on outside influences.

Although primarily a film critic, Kael's influence extended to music criticism through her cultural analyses, opposition to academic detachment, and personal, passionate writing style.

His work is associated with a gonzo approach to music journalism, an emphasis on passion and authenticity in rock music, and critiques of the commercial music industry.

Known as a staunch advocate for First Amendment rights, his jazz criticism stresses the importance of freedom and improvisation in music as well as social justice issues.

His writings typically underscore the connection between rock music and political activism, focus on music's role in culture and society, and often advocate for musicians' rights.

Her music criticism addresses the emotional and cultural significance of music, particularly in the indie and folk genres, and often reflects on the nature of collecting and nostalgia.

Her work often focuses on feminist musicology, the cultural criticism of music, and the analysis of music using gender as a lens.

Renowned for her criticism that often addresses gender bias in classical music and opera, her clear and insightful reviews, and her advocacy for the victims of discrimination in the music industry.

Creator of the 'Consumer Guide' album reviews, pioneer in developing the 'rock critic' persona, and notable for his terse, pithy criticisms.

Explores the interplay of classical and modern music, creates narratives around music history, and writes about music in a culturally contextualized form.

Best known for his literary approach to rock music criticism, exploration of American cultural themes in music, and connection between rock music and social history.

As chief music critic for The New York Times, he's known for his clear, educative writing, and his efforts to expand the canon of classical music, often highlighting lesser-known composers.