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Language of Opera
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Fach
A system categorizing opera singers by their voice range, weight, and timbre.
Cadenza
An elaborate, improvised or written-out ornamental passage performed by the soloist, usually near the end of an aria.
Recitative
A style of delivery where a singer is allowed to adopt the rhythms of ordinary speech.
Soubrette
A young female character in opera or theater; light, nimble voice.
Falsetto
A male singing voice that's unusually high, above the standard range.
Bravura
A display of daring and brilliance in performance.
Overture
Instrumental introduction to an opera, setting the mood.
Prelude
An introductory piece of music; similar to an overture but often part of a longer piece.
Gesamtkunstwerk
A total work of art, where all art forms are unified and synthesized; closely associated with the operas of Richard Wagner.
Basso Buffo
A bass singer who specializes in comic roles.
Leitmotif
A short, recurring musical phrase associated with a particular person, place, or idea.
Diva
A distinguished female singer; sometimes refers to a celebrated prima donna.
Comprimario
A secondary role in an opera; supporting character.
Maestro
A term of respect for a distinguished conductor or composer.
Dramaturg
A literary advisor or editor in a theatre, opera, or ballet company that deals with research and development of plays or operas.
Tragedienne
A woman actress or singer who specializes in tragic roles.
Intermezzo
Short piece of instrumental music played between scenes or acts.
Bel Canto
A style of singing that emphasizes beautiful tone and brilliant technique.
Aria
Solo piece, usually for a principal character to express feelings or thoughts.
Libretto
The text or script of the opera, written by the librettist.
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