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Language of Opera

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Aria

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Solo piece, usually for a principal character to express feelings or thoughts.

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Libretto

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The text or script of the opera, written by the librettist.

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Overture

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Instrumental introduction to an opera, setting the mood.

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Intermezzo

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Short piece of instrumental music played between scenes or acts.

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Recitative

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A style of delivery where a singer is allowed to adopt the rhythms of ordinary speech.

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Leitmotif

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A short, recurring musical phrase associated with a particular person, place, or idea.

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Fach

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A system categorizing opera singers by their voice range, weight, and timbre.

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Soubrette

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A young female character in opera or theater; light, nimble voice.

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Diva

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A distinguished female singer; sometimes refers to a celebrated prima donna.

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Maestro

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A term of respect for a distinguished conductor or composer.

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Prelude

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An introductory piece of music; similar to an overture but often part of a longer piece.

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Basso Buffo

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A bass singer who specializes in comic roles.

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Falsetto

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A male singing voice that's unusually high, above the standard range.

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Bel Canto

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A style of singing that emphasizes beautiful tone and brilliant technique.

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Cadenza

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An elaborate, improvised or written-out ornamental passage performed by the soloist, usually near the end of an aria.

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Bravura

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A display of daring and brilliance in performance.

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Comprimario

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A secondary role in an opera; supporting character.

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Dramaturg

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A literary advisor or editor in a theatre, opera, or ballet company that deals with research and development of plays or operas.

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Tragedienne

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A woman actress or singer who specializes in tragic roles.

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Gesamtkunstwerk

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A total work of art, where all art forms are unified and synthesized; closely associated with the operas of Richard Wagner.

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