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Etching Techniques

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Spit bite aquatint

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This technique involves painting acid directly onto the aquatinted plate, sometimes diluted with gum arabic in varying concentrations, which allows for spontaneous and painterly marks.

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Carborundum etching

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A modern technique where a mixture of carborundum grit and an adhesive like PVA glue is applied to the plate to create a textured surface that holds a large volume of ink, producing rich, velvety areas of color.

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Mezzotint

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In mezzotint, the entire surface of a metal plate is roughened with a tool known as a rocker, creating a burr that holds ink. The artist then smooths areas to create gradients of tone from black to white.

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Hard-ground etching

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A technique that involves coating the etching plate with a hard, waxy ground that resists acid. The artist then draws through the ground with a sharp point, exposing the metal. The plate is then dipped in acid to etch the exposed lines.

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Chine-collé

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While not an etching technique per se, Chine-collé involves adhering a thin paper to a heavier support as the printing process occurs, allowing for the transfer of very fine details from the etched plate.

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Drypoint

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Rather than using acid, in drypoint, the artist scratches the image directly into the plate with a sharp needle. The burr raised by the needle catches extra ink to create soft, velvety lines.

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Sugar lift aquatint

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An artist paints a design with a sugar solution on a plate, coats it with aquatint, then submerges it in warm water. The sugar lifts off, revealing the design which is then etched.

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Engraving

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Engraving involves cutting or incising a design into a metal plate with a sharp tool called a burin. The incised lines can vary in width and depth to create a range of tones.

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Aquatint

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Aquatint employs a powdered resin that is dusted on the plate and then heated to form a ground that can be etched in acid. This technique allows for the creation of tonal effects similar to watercolor.

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Soft-ground etching

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This technique uses a softer waxy ground that is sensitive to texture. Paper or fabric can be pressed into the ground, and when removed, exposes the metal in a textured pattern. The plate is then etched with acid.

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Photo-etching

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A photographic image is transferred to a metal plate using photo-sensitive resist. The plate is then developed and the image areas are etched with acid, while the non-image areas are protected by the resist.

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Collagraphy

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Collagraphy involves building up a collage of materials on a plate, which is then sealed, inked, and pressed onto paper. The varied materials create different textures and depths in the final print.

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