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Orchestration

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Conductor

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The person who directs the performance of an orchestra or choir, often using hand gestures. In context: 'The conductor led the orchestra with precision, ensuring each section entered at the correct time.'

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Vibrato

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A slight fluctuation in pitch used to enhance or intensify a note. In context: 'The string players used vibrato to warm up their sound in the adagio section.'

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Tutti

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A passage where all instruments or voices play together. In context: 'After the solo, the tutti section brought the whole orchestra back in.'

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Adagio

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A tempo marking indicating slow and leisurely pace. In context: 'The adagio movement was so lyrical and expressive, it brought tears to the eyes of some audience members.'

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Attacca

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An instruction to immediately move to the next section of music without a pause. In context: 'At the end of the movement, the attacca sign directed the orchestra to proceed directly into the next movement.'

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Staccato

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A style of playing where each note is sharply detached or separated from the others. In context: 'The staccato passages in the trumpet part gave the piece a spirited and energetic feel.'

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Largo

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A tempo marking for a very slow and broad tempo. In context: 'The largo section allowed the brass to shine with broad, expansive melodies.'

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Tenuto

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A musical term indicating that a note should be sustained for its full value, or slightly longer. In context: 'With each note tenuto, the melody line in the cello sang with a deep resonance.'

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Rallentando

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A gradual decrease in tempo; similar to ritardando but often implying a more gradual deceleration. In context: 'The rallentando towards the end of the piece was like musical breathing, slowly bringing it to a close.'

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Timbre

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The quality or color of a musical sound that distinguishes different types of sound production, such as voices and musical instruments. In context: 'The unique timbre of the oboe made it ideal for the solo passage in the symphony.'

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Allegro

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A tempo marking signifying fast, lively speed. In context: 'The symphony started with an allegro movement that set an energetic tone for the piece.'

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Ancora

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Italian for 'again', used as a directive to repeat a performance. In context: 'The audience was so moved by the performance that they called out 'ancora!' demanding an encore.'

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Moderato

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A tempo marking indicating a moderate pace. In context: 'The moderato movement provided a contrast between the faster first movement and the slower third.'

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Fermata

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A musical notation indicating that a note should be held longer than its normal duration. In context: 'The fermata over the final chord allowed the sound to resonate in the concert hall.'

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Sforzando

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A sudden, strong emphasis on a note or chord. In context: 'The sforzando in the cello part startled the audience with its intensity.'

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Sostenuto

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A musical term indicating that the music should be played in a sustained or prolonged manner. In context: 'The pianist's use of the sostenuto pedal allowed the chords to linger and blend beautifully.'

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Da Capo

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An Italian term meaning 'from the head,' which directs the musician to repeat from the beginning of the piece. In context: 'After reaching the final bar, the da capo instruction signaled the players to return to the start.'

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Lento

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A tempo marking indicating a very slow pace. In context: 'The lento passage exuded a somber and reflective mood through its unhurried pace.'

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Meno

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An Italian musical term meaning 'less', often used in conjunction with other terms, as in 'meno mosso' (less movement). In context: 'The meno mosso section provided a contrast with its relaxed pace and softer dynamics.'

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Molto

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An Italian musical term meaning 'very.' When used with other terms, it intensifies their meaning. In context: 'The score indicated 'molto allegro', urging the musicians to play very fast.'

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Scherzo

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A rapid, light, playful piece, typically the third movement in a symphony. In context: 'The scherzo moved at a brisk pace, with light-hearted melodies dancing throughout the orchestra.'

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Grave

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A tempo marking and mood indicating a very slow and solemn pace. In context: 'The grave introduction to the requiem set a somber tone for the composition.'

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Pizzicato

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A playing technique where strings are plucked with fingers instead of being bowed. In context: 'The violins switched to pizzicato to give the section a light, plucky sound.'

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Baton

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A small stick that the conductor uses to lead the orchestra or choir. In context: 'With her baton in hand, the conductor gave the downbeat that initiated the concert.'

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Legato

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A smooth and connected style of playing or singing, without noticeable breaks between notes. In context: 'The violin section played with a gorgeous legato, ensuring each note flowed seamlessly into the next.'

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Piano

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A musical dynamic marking indicating to play softly. In context: 'The pianissimo chords allowed the soloist to shine over the gentle accompaniment.'

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Ritardando

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A gradual decrease in tempo. In context: 'The music flowed smoothly into the ritardando, naturally slowing before the end of the piece.'

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Transpose

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To change the pitch or key of a piece of music. In context: 'The horn parts were transposed to fit the range of the instrument.'

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Con moto

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An Italian musical directive meaning 'with motion' or 'with movement'. In context: 'The piece progressed con moto, imbuing it with an undercurrent of driving energy.'

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Score

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A written representation of the music that shows all the parts for the instruments and voices involved. In context: 'The conductor studied the score to fully understand the composer's intentions.'

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Cadenza

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An improvised or written-out ornamental passage played or sung by a soloist, often allowing for virtuosic display. In context: 'The concerto featured a cadenza that gave the pianist a chance to showcase technical prowess.'

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Fortissimo

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A dynamic marking meaning very loud. In context: 'The orchestra played fortissimo during the climax, producing a breathtaking sound.'

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Diminuendo

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A gradual decrease in loudness or intensity. In context: 'After the powerful statement, the diminuendo brought a sense of calm.'

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Pianissimo

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A musical dynamic marking indicating very softly. In context: 'The delicate pianissimo in the strings created a hushed atmosphere.'

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Presto

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A tempo marking indicating a very fast speed. In context: 'The finale of the piece concluded with a thrilling presto that left the audience breathless.'

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Fugue

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A compositional technique characterized by the systematic imitation and development of a main theme (called the 'subject') throughout the piece. In context: 'The fugue in the composer's symphony displayed intricate counterpoint and thematic development.'

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Crescendo

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A gradual increase in loudness or intensity. In context: 'The orchestral crescendo built up to the climax of the movement.'

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Orchestration

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The art of arranging a musical composition for performance by an orchestra. In context: 'Ravel's orchestration of Mussorgsky's 'Pictures at an Exhibition' is famous for its color and clarity.'

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Articulation

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The manner in which notes are executed, including their attack, length, and dynamics. In context: 'The composer's precise articulation markings ensured a unified performance from the orchestra.'

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Maestro

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An honorific title of respect given to a master musician, especially a conductor. In context: 'The orchestra members trusted their maestro to lead them through the challenging symphony.'

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Forte

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A dynamic marking indicating to play loudly. In context: 'The sudden forte in the brass section created a powerful impact.'

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Overture

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An introductory music piece typically for an opera, ballet, or play, and can also stand alone as a concert piece. In context: 'The overture set the tone for the opera with its dramatic and thematic material.'

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Andante

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A tempo marking indicating a moderately slow or walking pace. In context: 'The andante tempo was perfect for the lyrical second movement of the concerto.'

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Mezzo

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An Italian word meaning 'half' and often used in musical terms like 'mezzo forte' (medium loud) and 'mezzo piano' (medium soft). In context: 'The dynamic marking was mezzo piano, requiring a touch of gentleness in the approach.'

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