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A practice regime focusing on the refinement and optimization of finger transitions for efficiency and agility. Useful for mastering challenging passages and preventing common technical errors.

Refers to the ability of the lips and facial muscles to adjust the shape of the mouth to change pitch, tone, and articulation. Crucial for intonation and expressiveness.

A technique where the player inhales through the nose while maintaining airflow through the instrument using the cheeks. Used to sustain continuous sound without interruption for breathing.

A small, rapid variation in pitch that enhances the tone quality and emotional expression of a note. On the oboe, it's produced by modulations with the diaphragm or throat muscles.

A fundamental technique involving the use of abdominal and intercostal muscles to control the flow of air. Essential for maintaining a steady and consistent sound throughout all registers.

Technique where certain keys or holes are only partially covered to achieve the correct pitch, especially for alternative fingerings or microtones. Used for intonation adjustments and to play quarter tones.

A technique where the player rolls the 'R' sound with their tongue while playing a note, creating a rapid tremolo effect. Used for special effects or to mimic certain stylistic articulations.

Using different finger combinations to produce the same pitch, adjusted for intonation, timbre, or technical ease. Helps in navigating complex passages and addressing tuning issues.

Articulation technique using a 'tuku' or 'dugu' syllable pattern to produce fast, repeated notes. Used in playing fast passages that are too quick for single tonguing.

A continuous slide upward or downward between two notes. On the oboe, it's executed by gradually changing fingerings and adjusting embouchure. It's used for expressive musical passages.

The careful modification of an oboe reed to suit personal playing style and to enhance response, intonation, and sound quality. It usually involves scraping, clipping, or adjusting the wires.