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Managing the airflow to maintain a steady tone. Practice long tones and use your diaphragm for support.

Producing the highest tones of the piccolo. Requires a relaxed but focused embouchure and precise fingerings.

Playing two or more notes simultaneously. Requires specific fingerings and a balance between air pressure and embouchure.

Playing notes smoothly connected with minimal tonguing. Use a steady airflow and connect notes seamlessly.

A technique where the player rolls the 'r' in the throat or uses the tip of the tongue to create a trembling sound.

Playing notes in a short, detached manner. Keep tongue light and use the tip for precise articulation.

Adjusting the mouth position to control tone and intonation. Practice with octave leaps and mouthpiece buzzing.

Playing in the upper register clearly and in tune. Focus on embouchure and support with fast air stream.

A technique to add expression by slightly varying the pitch. Achieved with diaphragm pulses or jaw movement.

A rapid articulation technique using a 'tu-ku-tu' syllable pattern. Allows for faster note sequences than double tonguing.

Ability to play across a range of volumes. Work on exercises that gradually crescendo and decrescendo.