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Recorder Techniques

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Slurring

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Transition between notes without tonguing in between to create a smooth, connected sound. Simply change finger positions without rearticulating with the tongue.

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High Notes

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To play high notes, use a faster airstream and increase the support from your diaphragm. Often half-holing and alternate fingerings are required.

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Half-Holing

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Partially cover the hole with a finger to play notes between the natural ones, typically for sharps, flats or microtones.

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Forked Fingering

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Skip a hole or two while fingering to achieve alternative fingerings that can help with intonation or facility.

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Triple Tonguing

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Similar to double tonguing, this involves articulating with a 'tu-ku-tu' pattern for even faster passages.

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Double Tonguing

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A technique used to articulate fast passages by alternating between 'tu' and 'ku' syllables.

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Glissando

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Slide from one note to another by slowly opening or closing the fingering holes, creating a smooth transition in pitch.

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Tonguing

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Use your tongue to create clear articulation for notes by touching it to the back of your upper teeth or the roof of your mouth at the start of each note.

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Breath Control

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Manage airflow by using your diaphragm to support the breath and create dynamics and phrasing.

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Fingering Technique

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Place the pads of your fingers over the holes to create different notes, with a relaxed grip that allows quick movement.

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Vibrato

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Create a slight variation in pitch and intensity by pulsing the airflow using your diaphragm or throat.

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Overblowing

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Blow harder and adjust your embouchure to reach the recorder's second octave, which involves playing the same fingerings at a higher pitch.

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