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Adorno's Aesthetic Theory
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Aesthetic Autonomy
Aesthetic Autonomy refers to the independence of art from societal, political, and economic systems. In art criticism, it's important for evaluating how art is or isn't influenced by extrinsic factors and maintaining its integrity.
Dissonance in Art
Adorno values dissonance in art as it breaks away from traditional harmony and represents the tensions of modern society. In art criticism, dissonance is essential for talking about art that challenges and provokes rather than soothes.
Artistic Form
Artistic Form in Adorno's philosophy is seen as the organizing principle behind the artwork's content, structure, and style. It is relevant in art criticism for analyzing how the form contributes to the artwork's meaning and effectiveness.
Artistic Truth Content
Artistic Truth Content is the notion that art contains a form of truth that resists being reduced to logic or facts. This is relevant in art criticism for discussing how art conveys unique perspectives and experiences that are not accessible through other forms of knowledge.
Negative Dialectics
Negative Dialectics is Adorno's idea that philosophical understanding comes from analyzing contradictions inherent in society. It's relevant in art criticism as it encourages critical examination of art's conflict with societal norms and its function as a form of resistance or negation.
The Culture Industry
The Culture Industry concept criticizes mass-produced culture and its impact on society. In art criticism, it's relevant for analyzing how art becomes commodified and loses its critical and revolutionary potential.
Non-Identity
Non-Identity is the concept that no concept entirely captures the uniqueness and complexity of the object it represents. In art criticism, this speaks to the importance of considering the singular, non-reducible aspects of an artwork.
Artistic Alienation
Artistic Alienation deals with the notion that art stands apart from everyday experiences and standards. This concept is relevant in art criticism when discussing art that defamiliarizes the familiar and presents a critical viewpoint.
Late Style
Adorno's Late Style refers to the mature phase of an artist's work, often characterized by complexity and a departure from convention. In art criticism, Late Style is significant for evaluating the development and transformation of an artist's oeuvre.
Mimesis
Mimesis in Adorno's terms is not mere imitation but an expression of the artwork's semblance of reality. In art criticism, it is used to discuss how art both imitates and transcends reality, engaging with it critically.
Commodification of Art
Adorno's concern with the commodification of art stems from his belief that the market can dilute the critical power of art. This is relevant in art criticism for considering the influence of market forces on artistic expression and integrity.
Art and Society
Adorno analyzes the relationship between art and society, claiming that art reflects and shapes societal conditions. In art criticism, this relationship is crucial for understanding the social impact and context of artworks.
Aesthetic Experience
Aesthetic Experience according to Adorno is the interaction between the viewer and the artwork, which can have transformative effects. In art criticism, this focuses on the subjective experience and its critical or revelatory character.
Art's Historical Dimension
Adorno argues that art inherently carries a historical dimension, reflecting and commenting on its time. In art criticism, acknowledging this dimension is vital for understanding an artwork's place and relevance in the historical narrative.
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