Discover published sets by community

Contrast in color theory involves the use of opposing colors to create visual interest and focus. Street artists use contrast to make elements pop out and to guide the viewer's eye through the artwork.

Triadic color schemes involve using three colors that are evenly spaced around the color wheel. This scheme creates a rich and harmonious look in street art, often used to construct a visually engaging and dynamic composition.

Saturation refers to the intensity or purity of a color. High saturation colors are bright and eye-catching, which can be used in street art to grab attention and make a bold statement.

Color temperature refers to the warmth or coolness of a color. Street artists can manipulate color temperature in their palette to create spatial illusions or evoke specific emotional responses from the audience.

Cool colors include blue, green, and purple, which evoke calmness and serenity. In street art, these colors can be used to create a calming effect or portray a more somber mood.

Tertiary colors are made by mixing a primary color with a secondary color. In street art, these colors provide depth and complexity, enhancing the visual appeal of murals and tags.

The split-complementary color scheme is a variation of the complementary color scheme, where instead of using one complementary color, two adjacent to its complement are used. This approach combines the high contrast of complements with the harmony of analogous colors, suitable for vibrant yet balanced street art compositions.

Warm colors, like red, orange, and yellow, are associated with warmth and sunlight. Street artists use these colors to convey energy, passion, and positivity in their artworks.

Complementary colors are opposite each other on the color wheel and create a high contrast when used together. Street artists often use this to create a vivid dynamic in their work that draws the eye.

Analogous colors are groups of three colors that are next to each other on the color wheel. They create harmonious designs in street art and are often found in pieces that aim for a more subtle or cohesive look.

Value relates to the lightness or darkness of a color. Street artists manipulate value to create depth, dimension, and to highlight certain elements of their work.

Secondary colors are created by mixing equal parts of two primary colors. For street artists, these offer a way to diversify color palettes and create visual interest in their pieces.

Color harmony is the aesthetically pleasing arrangement of colors. Street artists strive for color harmony to create a balanced and visually appealing composition that can resonate with the viewers.

Primary colors are the basis of all other colors and cannot be created by mixing colors. In street art, using these can create a bold, foundational palette that stands out in an urban environment.