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Maqam Hijaz Kar Kurd is a hybrid maqam that combines elements of Hijaz and Kurd, creating a passionate and evocative sound that is often used to convey deep emotional narratives.

Maqam Saba is characterized by its lowered second and sixth scale degrees, which creates a unique sound that conveys anguish and sorrow.

Maqam Bayati-Shuri, a derivative of Maqam Bayati, contains a unique lowered seventh scale degree, giving it a distinctive sound that conveys introspection and contemplation.

Maqam Kurd has a deep, solemn tone and is used to express sadness and introspection in Middle Eastern music.

Maqam Athar Kurd is a variation of Maqam Kurd with extra emphasis on emotional expression, often used to augment the expression of sorrow and lamentation in music.

Maqam Bayati is a common maqam in Arabic music that is known for its emotional depth, often expressing melancholy and longing.

Maqam Sikah is known for its microtonal intervals and is often associated with spirituality and introspection in Middle Eastern music.

Maqam Huzam is recognized for its descending melodies and is typically used in deeply emotional compositions that often reflect themes of destiny and fate.

Maqam Rahat al-Arwah is a rare Maqam, which is rich in musical expressions, and is used to invoke feelings of tranquility and serenity.

Maqam Dalanshin is known for its fluctuating tones and is often used to bring a mysterious and ambiguous atmosphere to musical compositions.

Maqam Sikah Baladi is a folk-inspired maqam with pronounced microtonal adjustments, which imparts an earthy and authentic flavor to traditional music.

Maqam Mustaar involves distinct quarter-tone intervals that create a dense and heavy sound, which is capable of expressing complex emotions and ideas.

Maqam Nahawand carries characteristics similar to the Western minor scale and is frequently used in romantic and sentimental songs.

Maqam Ajam is a major sounding maqam that represents joy and celebration in the Arab musical tradition. It is often used in happy and festive occasions.

Maqam Rast is considered the 'mother of maqams' in the Arab music tradition, known for its balanced and moderate mood, and is often used as a starting point for beginners.

Maqam Hijaz is distinguished by its exotic and Middle Eastern sound due to its raised second scale degree, often evoking feelings of passion and yearning.

Maqam Jiharkah is unusual in its structure and has an airy, light feel that is often associated with joy and elegance in Middle Eastern music.

Maqam Zanjaran is characterized by an energetic and intense sound with a jumping melody that is often used in dynamic and lively musical pieces.

Maqam Nawa Athar is a complex blend of Maqam Nawa and Maqam Athar Kurd, known for its deep and rich emotional expression.

Maqam Shadd Araban features a raised fourth scale degree, creating a sound that is both emotional and intense, commonly used in expressive performances.

Maqam Suznak is a combination of Rast and Hijaz maqams. It is well-suited for conveying complex emotions with a mix of joy and somberness.

Maqam Lami is not commonly used but is distinct in its use of lowered scale degrees, providing a unique plaintive and reflective quality.

Maqam Saba Zamzam is a variation of Maqam Saba that has a more intense and dramatic feel, often used in emotionally charged pieces.

Maqam Ajam Ushayran is a type of Maqam Ajam known for its ascending melodic theme. It has an enigmatic and complex character that is well-suited for intellectual and thoughtful musical expressions.