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Generates the raw sound signal, often as a waveform like a sine or sawtooth.

Shapes the timbre by cutting out certain frequencies from the sound.

Controls the dynamic shape of a sound over time, typically having ADSR (Attack, Decay, Sustain, Release) parameters.

Modulates various parameters at a low frequency, creating effects such as vibrato or tremolo.

Controls the volume of the sound and can be modulated over time, often by an envelope generator.

Produces a random signal which adds texture to the sound, useful for effects like wind or percussion.

Alters oscillator frequency to create vibrato or other pitch variations.

Shapes how a modulation source affects the sound over time, similar to an envelope generator.

Slightly offsets the pitch of oscillators to create a fuller, richer sound or produce beating effects.

Causes the pitch to slide smoothly from one note to another.

Emphasizes the frequencies around the cutoff point of a filter, adding sharpness or brightness.

Automatically steps through a sequence of notes based on the chords or notes held down on the keyboard.

Determines the maximum number of notes that can be played simultaneously.

The shape of the sound wave produced by an oscillator, which determines the basic tonal quality.