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Controls the volume of the sound and can be modulated over time, often by an envelope generator.

Generates the raw sound signal, often as a waveform like a sine or sawtooth.

Modulates various parameters at a low frequency, creating effects such as vibrato or tremolo.

Sets the range of keys that the oscillator will respond to, often shifting the pitch up or down.

Controls the dynamic shape of a sound over time, typically having ADSR (Attack, Decay, Sustain, Release) parameters.

Automatically steps through a sequence of notes based on the chords or notes held down on the keyboard.

Produces a random signal which adds texture to the sound, useful for effects like wind or percussion.

Slightly offsets the pitch of oscillators to create a fuller, richer sound or produce beating effects.

Emphasizes the frequencies around the cutoff point of a filter, adding sharpness or brightness.

Shapes the timbre by cutting out certain frequencies from the sound.

Shapes how a modulation source affects the sound over time, similar to an envelope generator.

Causes the pitch to slide smoothly from one note to another.

Alters oscillator frequency to create vibrato or other pitch variations.

The shape of the sound wave produced by an oscillator, which determines the basic tonal quality.