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Adjusting frequency levels to achieve clarity and balance between instruments in a mix.

A technique where the compression effect is triggered by another sound, often used to make room for the kick drum in a mix.

Adding harmonics and subtle distortion to a sound, giving it warmth and presence in a mix.

The process of managing the volume levels of tracks and buses to prevent distortion and maintain headroom.

Positioning sounds within the stereo field to create width and separation between elements.

Separating the mid and side signals to apply EQ separately, providing more control over the stereo field.

Adding space and depth to sounds by simulating reflections as if recorded in physical spaces.

An effect that repeats audio signals at set intervals, creating an echo or doubling effect.

Programming changes in the mix over time, such as volume, panning, effects, and many other parameters.

A type of EQ that removes high-frequency content from a sound, which can tame harshness and reduce hiss.

Also known as 'New York Compression.' It blends an uncompressed signal with a compressed version of itself to maintain dynamic range while adding punch.

Similar to compression, but with a very high ratio used to prevent signals from clipping and distorting.

A type of EQ that removes low-frequency content from a sound, often used to clean up mixes and prevent muddiness.

Enhancing the perceived width of the stereo image, making the mix sound fuller and more spacious.