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Typical leading lady roles, high note flexibility, often portrays innocence or heroism

Rich mid-range, often playing supporting roles or portraying older characters

Rarest and lowest female voice, often plays authoritative or motherly figures

A male voice that sings in the female alto range, often in Baroque opera

The highest male voice typically, associated with romantic lead roles

Mid-range male voice, versatile in both lyric and dramatic roles

Lowest male voice, traditionally playing older, authoritative characters

Virtuosic soprano with agility in high notes, often plays flamboyant characters

A warm and melodious soprano voice, suited for young, innocent female characters

A powerful soprano voice capable of cutting through orchestral sound, associated with tragic heroines

A lighter mezzo voice that is versatile for both comic and serious roles

Rich and powerful, this mezzo voice handles weighty roles often involving tragedy or high drama

A mezzo with the ability to perform agile and elaborate ornamentation

A powerful, heroic tenor voice typically used in Wagnerian operas

A sweet, mellow tenor voice ideal for young male romantic leads

A tenor voice that sits between lyric and dramatic, capable of powerful crescendos

Tenor voice with a strong,, ringing quality suited for heavy, dramatic roles

A singing bass with a smooth melodic line, used in both lyric and dramatic roles

A comic bass voice with great agility, often seen in operatic comedies

The deepest bass voice with an imposing sound and often used in Russian liturgical music

A baritone voice that has the robustness and the dramatic intensity to perform Verdi's demanding roles

A milder baritone voice that excels in melodic roles, often romantic or heroic

A baritone voice with the power to perform heavy dramatic roles, often seen in German opera

A rare type of soprano/mezzo voice found in some French grand operas, named after a singer