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A warm and melodious soprano voice, suited for young, innocent female characters

Rich mid-range, often playing supporting roles or portraying older characters

A lighter mezzo voice that is versatile for both comic and serious roles

A mezzo with the ability to perform agile and elaborate ornamentation

A tenor voice that sits between lyric and dramatic, capable of powerful crescendos

Virtuosic soprano with agility in high notes, often plays flamboyant characters

A rare type of soprano/mezzo voice found in some French grand operas, named after a singer

Lowest male voice, traditionally playing older, authoritative characters

Tenor voice with a strong,, ringing quality suited for heavy, dramatic roles

A heroic baritone voice similar to a Heldentenor but with a richer, darker timbre

A powerful, heroic tenor voice typically used in Wagnerian operas

The deepest bass voice with an imposing sound and often used in Russian liturgical music

A baritone voice with the power to perform heavy dramatic roles, often seen in German opera

Rarest and lowest female voice, often plays authoritative or motherly figures

The highest male voice typically, associated with romantic lead roles

A powerful soprano voice capable of cutting through orchestral sound, associated with tragic heroines

Rich and powerful, this mezzo voice handles weighty roles often involving tragedy or high drama

Typical leading lady roles, high note flexibility, often portrays innocence or heroism

Mid-range male voice, versatile in both lyric and dramatic roles

A sweet, mellow tenor voice ideal for young male romantic leads

A male voice that sings in the female alto range, often in Baroque opera

A milder baritone voice that excels in melodic roles, often romantic or heroic

A singing bass with a smooth melodic line, used in both lyric and dramatic roles

A comic bass voice with great agility, often seen in operatic comedies