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Italian Musical Terms for Violin

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Pizzicato

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Plucking the strings with a finger instead of using the bow.

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Con Sordino

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Playing with a mute affixed to the bridge, which softens the sound and adds a subdued, veiled quality.

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Flautando

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A technique which produces a flute-like sound by bowing lightly over the fingerboard.

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Legato

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A smooth and connected style of playing without any noticeable breaks between the notes.

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Detache

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A style of playing where each note is played with a separate bow stroke, but unlike staccato, the notes are connected smoothly.

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Tremolo

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A technique of moving the bow back and forth rapidly to create a trembling effect.

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Sordellina

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A specific type of mute used on the violin, often smaller and lighter than a typical mute.

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Glissando

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A continuous slide upward or downward between two notes.

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Staccato

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Notes played in a detached and distinct manner, with each note sharply separated from the others.

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Portato

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A bowing technique similar to legato, but with a slight articulation between the notes to create gentle separation.

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Double Stop

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Playing two notes simultaneously on different strings.

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Ricochet

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Dropping the bow onto the string to create a series of rapid, bouncing strokes.

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Spiccato

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A bowing technique where the bow bounces lightly off the string.

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Vibrato

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A technique where the player oscillates the pitch of a note to add warmth and expression.

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Martelé

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A bowing technique creating a hammered and accented note, with a crisp beginning and clear stop.

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Sul Tasto

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Playing over the fingerboard to produce a soft, flutelike sound.

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Sautillé

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A very fast, bouncing bow technique where the bow is allowed to bounce lightly upon the string.

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Sul Ponticello

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Playing close to the bridge of the violin to produce a glassy, metallic, and intense sound.

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Arco

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The use of the bow to play the violin, which is the standard method of producing sound.

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Col Legno

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A technique where the string is struck with the wood of the bow rather than the hair.

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