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Mime and Movement Vocabulary

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Mime Walk

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A specific way of walking in mime that simulates walking in various imagined environments. It's essential to mime performance because it helps establish the performer's relationship to their environment.

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Statue Work

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A training exercise where performers hold a pose as if they were statues. It helps actors develop concentration, body awareness, and the ability to create clear physical imagery.

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Corporeal Mime

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A technique in physical theater developed by Étienne Decroux focused on the use of the body to express dramatic action. It's important in performance because it allows the artist to convey complex narratives without words.

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Isolation

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A technique where one part of the body is moved independently from the rest. In performance, it's important for creating visual impact and articulating specific parts of the body for character and narrative.

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Laban Movement

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A method of movement analysis by Rudolf Laban that helps performers understand and develop the expressive potential of their body. It's essential for improving movement quality and emotional expressivity.

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Pantomime

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A type of performance art that conveys a story or action without spoken word, relying heavily on body movements and facial expressions. It's important for creating engaging silent performances.

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Physical Scores

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Sequences of physical actions or movements that are planned and rehearsed, similar to musical scores. They're important for creating a structured flow and consistency in performance.

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Illusionary Mime

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A technique in which the performer suggests an action or manipulates an imaginary object in a way that seems real. It's crucial for engaging the audience's imagination and creating a believable performance space.

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Biomechanics

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A physical training system developed by Vsevolod Meyerhold that explores the body as a machine and the role of physical mechanics in performance. This approach enhances the actor's physical control and expressiveness.

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Tableau Vivant

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A silent and motionless group of performers arranged to create a scene or represent a story. Its importance lies in its ability to create a powerful visual narrative and capture moments dramatically.

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Physical Comedy

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A comedic performance style that uses body movements and non-verbal humor. Physical comedy is important as it creates laughter and connection across language barriers.

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Energy Levels

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The varying intensities of a performer's presence and movements, which can range from calm to explosive. Adjusting energy levels is important for conveying different emotions and dynamics in a performance.

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Physical Theater

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A genre of theater that emphasizes the use of gesture, movement, and physicality to tell a story. It's important as it offers a visceral, visual experience that can complement or forego dialogue.

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Kinetic Theater

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A form of theatrical performance that prioritizes movement and the physical dimension of storytelling. It's important because it explores new ways to captivate audiences beyond traditional dialogue.

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Tension and Relaxation

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The continuous interplay between tensing and relaxing muscles in performance. Mastering this interplay is essential for creating dynamic movement and expressing a wide range of emotions.

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Slow Motion

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The technique of moving slowly to heighten the dramatic effect or create tension. In physical theater, slow motion helps to focus the audience's attention and can emphasize finer details of movement.

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Mimicry

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The practice of imitating the gestures, behavior, and movements of others or objects. It's a fundamental skill for performers to create relatable and recognizable characters or scenes.

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Abstract Movement

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Movement that does not narratively represent specific actions or storyline, often used to convey emotions or themes. Its importance lies in the ability to communicate symbolically and abstractly to the audience.

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Mask Work

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The use of masks in performance to create characters and express emotions. This is paramount in the physical theater as it requires the actor to rely on body language for storytelling.

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Gestural Language

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A system of communication through gestures used to tell a story or portray a character without verbal language. It's crucial for mime performance as it conveys emotional and narrative content.

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Accelerated Motion

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Performing movements at a speed faster than natural to create a dramatic or comedic effect. Accelerated motion is crucial in mime and physical theater to manipulate time perception and engage the audience.

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Blocking

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The precise staging of actors' movements during a performance. In physical theater, blocking is especially significant as physical placement and movement drive the storytelling.

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Contact Improvisation

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A form of dance improvisation that explores spontaneous movement derived from the physical contact between two or more dancers. It's key to developing a responsive and collaborative performance dynamic.

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Space Awareness

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The performer's perception and use of the space around them. In physical theater, this awareness is critical for crafting dynamic compositions and interactions with the environment.

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Commedia dell'arte

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An improvisational theater form originating in Italy, characterized by stock characters and masked performances. It's significant for its influence on the physicality of characters and comedic timing.

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Character Physicality

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The distinct body language and movements associated with a particular character. It is vital for differentiating characters and conveying their traits without words.

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Levitation Illusion

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A mime technique that creates the illusion of the performer floating or being elevated off the ground. It's an important skill for captivating the audience and showcasing bodily control.

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Physical Improvisation

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The spontaneous creation of movement and action without a predefined script. It is a key skill in physical theater, cultivating spontaneity, creativity, and responsiveness in performance.

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Clowning

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The comedic performance style characterized by exaggerated physicality and humorous behavior. In physical theater, clowning is essential for engaging the audience and providing comic relief.

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Animal Studies

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Exercises in which performers imitate animal movements to enhance physical expressivity and character development. Important for deepening the actor's observational skills and expanding their movement vocabulary.

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