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The condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins. Some critics argue it can lead to cynicism or apathy.

A method of critical analysis of philosophical and literary language which emphasizes the internal workings of language and conceptual systems. The critique is that it overlooks the necessity of coherence and truth in some interpretations.

An image or representation of someone or something which becomes more real or important than the thing it represents, often critiqued for diminishing the value of the original.

A big story or 'grand narrative' that is told to explain a wide array of experiences and knowledge—criticized in postmodern thought for suppressing difference in favor of homogenized experiences.

A philosophical concept developed by Deleuze and Guattari which proposes a non-hierarchical entry and exit points in data representation and interpretation. Critics say that it might oversimplify complex hierarchies in favor of an anarchic system.

A work of art, literature, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche celebrates, rather than mocks, the work it imitates. Criticism can include its potential lack of originality.

A pair of related terms or concepts that are opposite in meaning. Postmodernism challenges these constructs as simplifying and dualistic, though critics argue the challenge may lead to a refusal to acknowledge the existence of any structure or opposition.

An extension and critique of structuralism, especially as related to issues of human existence and knowledge. Post-structuralists argue that meaning is constructed as much by what is not said as by what is. Critics see it as an abandonment of the search for absolutes.

A concept by Foucault that suggests that power is constituted through accepted forms of knowledge, scientific understanding and 'truth'. Critics argue that it can lead to an overemphasis on power relations and neglect of the importance of truth.

A term coined by Derrida that plays on the French words for 'difference' and 'deferral'. It refers to the notion that words and signs can never fully summon forth what they mean, but can only be defined through their différance from other words. Critiques argue that it may render meaning too unstable.

The shaping of a text's meaning by another text. Intertextual figures include allusion, quotation, calque, plagiarism, translation, pastiche and parody. Some see it as enriching textual analysis, while others criticize it for excessive relativism.

A person or group defined by its difference from the normative or dominant identity. Postmodernists highlight the 'Other' as a social construct, yet some critique this perspective for potentially ignoring the real experiences or agency of the 'Other'.

The combination of modernist and traditional techniques or features in architecture. Double coding is viewed positively by some for its inclusiveness and historical reference, while critiqued by others for potentially mixing incompatible stylistic elements.