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Art Conservation Glossary

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Relative Humidity

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The amount of moisture in the air relative to what the air can 'hold' at that temperature.

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Microclimate

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The environment within a specific limited space, such as a display case, where conditions can be different from the surrounding environment.

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Thickening Agents

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Substances added to liquids to increase viscosity without substantially altering other properties, used to control flow during adhesive and cleaning applications.

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Gilding

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The process of applying a thin layer of gold leaf or gold paint to a surface, often found on picture frames or decorative objects.

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Laser Cleaning

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A conservation technique that uses brief pulses of laser light to remove dirt and other contaminants from the surface of an object.

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Nanotechnology

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The use of extremely small particles and devices, often at the scale of individual atoms and molecules, in conservation.

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Varnish

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A transparent, hard, protective finish or film primarily used in wood finishing but also for other materials.

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Ethafoam

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A brand of polyethylene foam commonly used in the storage and transport of art objects to protect against shock and vibration.

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Neutral pH

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The state of a solution where the pH value is approximately 7, indicating neither acidity nor alkalinity.

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Anoxic

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An environment without oxygen. Used in conservation to prevent decay and insect damage.

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Pest Management

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The process of monitoring and controlling pests to prevent them from damaging art and cultural heritage materials.

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Raking Light

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Lighting that strikes a surface at a low angle and can enhance the perception of texture and surface anomalies.

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UV Filter

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A material used to block or absorb ultraviolet (UV) light to protect objects from potential damage.

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Desiccant

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A material used to induce dryness in its vicinity; commonly used to control humidity in museum display cases.

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Fresco

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A technique of mural painting executed upon freshly laid lime plaster, allowing pigments to merge with the plaster.

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Calcium Phytate Treatment

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A method used in paper conservation to inhibit the formation of destructive acids in paper artifacts.

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Methylcellulose

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A chemical compound derived from cellulose, used as an adhesive and sizing agent in paper conservation.

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Synthetic Resins

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Man-made polymer compounds used in conservation as adhesives, coatings, and consolidants.

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Inpainting

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The process of restoring lost or damaged paint on a work of art using a minimal intervention to conceal the damage.

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Consolidation

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The process of stabilizing deteriorated materials.

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Fungicide

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A chemical substance that destroys or inhibits the growth of fungi, often used in conservation to treat infected materials.

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Conservator

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A professional who works to preserve and restore art and cultural heritage for the future.

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Biodeterioration

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The breakdown of materials by microorganisms, plants, or animals.

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Japanese Tissue

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A thin, strong paper made from long plant fibers, used in art conservation for mending and support.

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Hyaline

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Transparent or translucent; glassy in appearance. Used in art conservation to describe certain varnish properties.

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Xerophily

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The ability to live in conditions with very little available water, often applied to pests that can damage cultural heritage materials.

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Yellowing

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The process of becoming yellow or more yellow, often due to degradation or oxidation of varnishes and binders in artwork.

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Lightfastness

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The resistance of pigments and dyes to fading or discoloration by light exposure.

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Foxing

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An age-related process of deterioration that causes spots and browning on old paper documents and artworks.

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Retouching

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The process of restoring the lost portions of an image in a way that they blend seamlessly with the original work.

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Biocide

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A substance capable of killing living organisms, used in conservation to target destructive microorganisms like mold and bacteria.

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Hygroscopic

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Having the ability to absorb moisture from the air, a property significant in the preservation of objects.

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Organic Acids

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Weak acids that are often found in natural materials and can contribute to the deterioration of cultural heritage objects.

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Craquelure

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A network of fine cracks in the paint or varnish of a painting. It is often caused by drying, aging, or changes in temperature and humidity.

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Iconoclasm

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The deliberate destruction within a culture of that culture's own religious icons and other symbols or monuments.

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Tarnish

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A thin layer of corrosion that forms on the surface of metals, as a result of oxidation or reaction with sulfides.

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Degradation

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The process by which materials begin to deteriorate with the passage of time.

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Patina

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A surface appearance of something grown beautiful, especially with age or use.

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Quarantine

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The isolation of an item, typically to prevent the spread of pests or contaminants to other parts of a collection.

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Zeolites

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A group of minerals used in conservation for their ability to trap ions and gases, helping control the environment around sensitive objects.

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Oxidation

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A chemical reaction that occurs when materials combine with oxygen, often resulting in degradation, rust on metals, or fading of pigments.

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Pigment

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A material that changes the color of reflected or transmitted light as the result of wavelength-selective absorption.

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Strappo

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A technique used to detach wall paintings from walls and transfer them to a new support, often canvas or another wall.

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Ultraviolet (UV) Light

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A type of electromagnetic radiation with a wavelength shorter than that of visible light but longer than X-rays.

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Provenance

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The record of ownership of a work of art or an antique, used as a guide to authenticity or quality.

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Acid-Free

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A term referring to materials that are pH neutral or very close to neutral.

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Easel Painting

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A painting made on canvas, wood, or similar lightweight support and intended to be displayed on an easel.

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Wormhole

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A hole in wood or paper made by the burrowing of an insect larva.

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