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Art Restoration Basics

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Inpainting

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The technique of restoring lost or damaged parts of a work of art through careful matching of paint and application to blend with the original.

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Digital Infrared Reflectography

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A technique that allows conservators to see beneath the paint surface of artworks, revealing underdrawings and alterations.

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Stretcher or Strainer

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The wooden frame used to stretch and support a canvas artwork.

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Museum Glass

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A type of high-quality glass used for framing that offers UV protection and reduced reflections.

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X-Ray Fluorescence (XRF) Spectrometry

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A non-destructive analytical technique used to determine the composition of materials in a work of art.

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Retouching

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The process of correcting damage or wear on the surface tier of a painting using colors that match the original paint.

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Reversible Restoration

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A restoration approach in which all materials and methods used can be undone without harm to the original work of art.

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Desalination

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The process of removing soluble salt deposits from porous materials such as stone, ceramics or wall paintings.

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Foxing

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Age-related spots and browning that appear on old paper, often caused by fungal growth or metallic impurities.

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Microclimate Frame

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A type of enclosure with a controlled environment to protect sensitive works of art from fluctuations in temperature and humidity.

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Craquelure

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The network of fine cracks in the paint or varnish of an old painting; it is often natural aging but can also be artificial.

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Heritage Science

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The interdisciplinary field that applies scientific methods and technologies to the study and preservation of cultural heritage.

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Consolidation

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The process of re-adhering or strengthening deteriorating or weakened materials in a work of art.

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Ethanol Solubility Test

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A simple test used to give conservators information about the solubility of varnishes or the binding media in paint.

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Archival Material

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Materials that are durable, stable, and designed to protect works of art from degradation over time.

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Blanching

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A visual change in paint films or varnishes characterized by a white, hazy appearance, often due to moisture or solvent exposure.

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Filling

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A treatment used to fill in areas of loss or damage, often with gesso or a similar material, to prepare the surface for inpainting.

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Direct Transfer Lining

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A method of lining in which a new canvas is adhered directly onto the back of the original.

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Gilding

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The decorative technique of applying fine gold leaf or powder to solid surfaces such as wood, stone, or metal.

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Cleaning

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A delicate operation to remove surface dirt, discolored varnish, or old restorations from a work of art.

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Pest Control

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The practice of preventing and eliminating insects and other pests that can damage artworks and cultural heritage.

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Lining

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The process of attaching a new canvas to the back of a painting to provide additional support.

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Humidification

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A controlled process used to relax and flatten works on paper or textiles, making them easier to repair or conserve.

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Provenance Research

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The detailed investigation into the ownership history of an artwork, important for authenticity, legal title, and historical significance.

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Varnish Removal

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The process of taking off the protective varnish layer that, over time, can become discolored or degraded.

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Patina

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A surface appearance of something grown beautiful, especially with age or use, which may include wear, oxidation, and other natural changes.

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Adhesive

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A substance applied to one surface, or both surfaces, of two separate items that binds them together and resists their separation.

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Condition Report

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A detailed report documenting the current state of a work of art, noting any damages, deterioration, and previous restorations.

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UV Fluorescence Examination

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A diagnostic technique that utilizes ultraviolet light to detect varnish layers, old restorations, and overpaint on artwork.

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Anoxic Treatment

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A pest management method that eliminates insects from cultural property by placing items in a low oxygen environment.

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