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A schedule created by the assistant director that lists the times actors and crew are expected on set.

The first episode of a series that is made to test if the series should be produced.

A read-through of a script by the actors, typically at the beginning of the rehearsal process.

A term used to describe projects that remain in development for an extended time, often moving between different crews, scripts, or studios.

Profits made from a film or show, which are sometimes promised to talent in their contracts.

A non-commissioned screenplay written with the hope of being sold.

The amount of time allowed for an actor or crew member to rest between work days.

A shot filmed without any sound, indicating that sound will be added in post-production.

The head electrician on a set, responsible for the design and execution of a production's lighting plan.

Filming multiple angles and takes of a scene to give editors choices in post-production.

A rehearsal that focuses on the technical elements of a performance, such as lighting, sound, and set changes.

Electronic Press Kit, a collection of promotional materials for media distribution.

Refers to the top creative talent in a production, such as the director, producers, actors, and screenwriters.

Shortened versions of the script used by actors for auditions or rehearsals on a particular day.

A trailer or truck equipped with restrooms and dressing rooms for use on location shoots.

A person who physically resembles an actor to stand in for them for lighting and camera setup.

Department responsible for the food and beverages on set for the cast and crew.

The raw, unedited footage shot during the making of a motion picture, viewed by the production team.

The precise movement and positioning of actors on a stage or set.

A writer hired to rewrite an existing script to improve it or fix specific issues.

An audition process with a large number of actors, often used for extras or roles where appearance is prioritized.

A small acting part which has no dialogue and is usually in the background.

The term for the last shot of the day's filming schedule.

The assistant to the gaffer or the key grip in a film crew, responsible for the routine running of the lighting or grip department.

The person who has overall creative authority and management responsibility for a television program.

Refers to the crew and technical personnel who are not as prominently known as those above-the-line.

Automated Dialog Replacement, the process of re-recording dialogue in post-production to improve audio quality.

A single-column schedule that lists the scenes to be shot each day.

Approval for a project to move forward, typically into production.