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Film Theory and Critics
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André Bazin
Developed theories of cinematic realism, argued for the 'ontology' of the photographic image, founder of Cahiers du Cinéma.
Sergei Eisenstein
Known for the theory of Montage, particularly 'Intellectual Montage', director of 'Battleship Potemkin'.
Laura Mulvey
Introduced the concept of the 'Male Gaze', author of 'Visual Pleasure and Narrative Cinema'.
Siegfried Kracauer
Emphasized cinema as a reflection of reality, author of 'From Caligari to Hitler: A Psychological History of the German Film'.
Christian Metz
Pioneered semiotics in film, known for works like 'Film Language'.
David Bordwell
Known for his work on film narrative and style, introducing concepts like 'classical Hollywood cinema'.
Gilles Deleuze
Philosopher who contributed to film theory, known for concepts such as the 'movement-image' and 'time-image' in his books 'Cinema 1' and 'Cinema 2'.
Slavoj Žižek
Applied psychoanalytic theory, particularly Lacanian concepts, to film criticism.
Jean-Luc Godard
Contributed to film theory through his work as a filmmaker in the French New Wave, championed auteur theory.
Noël Carroll
Critiqued psychoanalytic film theory and developed a philosophy of art that rejected the notion of a grand theory.
Tom Gunning
Coined the term 'Cinema of Attractions' to describe early silent films.
Pauline Kael
Known for her witty, biting film criticism and opposition to the auteur theory.
Andrew Sarris
Championed the auteur theory in the United States, wrote 'The American Cinema: Directors and Directions'.
Linda Williams
Pioneered the field of 'body genres' (horror, melodrama, pornography), wrote 'Hard Core: Power, Pleasure, and the 'Frenzy of the Visible''.
Lev Kuleshov
Famous for the Kuleshov Effect, a film editing effect demonstrating the power of juxtaposition.
Jean Mitry
Considered the first to treat the aesthetics of film with philosophical rigor, wrote 'The Aesthetics and Psychology of Cinema'.
Homay King
Examined how new media technologies affect human perception and social identity, wrote 'Virtual Memory: Time-Based Art and the Dream of Digitality'.
Vivian Sobchack
Known for phenomenological approach to film theory, wrote 'The Address of the Eye: A Phenomenology of Film Experience'.
Richard Dyer
Explored representations of race, sexuality, and star image in film, known for his work 'Stars' and 'White'.
Peter Wollen
Known for his work on the auteur theory and structuralist film theory, wrote 'Signs and Meaning in the Cinema'.
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