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Film Theory and Critics

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Sergei Eisenstein

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Known for the theory of Montage, particularly 'Intellectual Montage', director of 'Battleship Potemkin'.

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David Bordwell

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Known for his work on film narrative and style, introducing concepts like 'classical Hollywood cinema'.

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Gilles Deleuze

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Philosopher who contributed to film theory, known for concepts such as the 'movement-image' and 'time-image' in his books 'Cinema 1' and 'Cinema 2'.

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Andrew Sarris

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Championed the auteur theory in the United States, wrote 'The American Cinema: Directors and Directions'.

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Tom Gunning

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Coined the term 'Cinema of Attractions' to describe early silent films.

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Richard Dyer

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Explored representations of race, sexuality, and star image in film, known for his work 'Stars' and 'White'.

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André Bazin

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Developed theories of cinematic realism, argued for the 'ontology' of the photographic image, founder of Cahiers du Cinéma.

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Slavoj Žižek

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Applied psychoanalytic theory, particularly Lacanian concepts, to film criticism.

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Noël Carroll

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Critiqued psychoanalytic film theory and developed a philosophy of art that rejected the notion of a grand theory.

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Lev Kuleshov

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Famous for the Kuleshov Effect, a film editing effect demonstrating the power of juxtaposition.

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Peter Wollen

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Known for his work on the auteur theory and structuralist film theory, wrote 'Signs and Meaning in the Cinema'.

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Laura Mulvey

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Introduced the concept of the 'Male Gaze', author of 'Visual Pleasure and Narrative Cinema'.

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Pauline Kael

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Known for her witty, biting film criticism and opposition to the auteur theory.

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Linda Williams

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Pioneered the field of 'body genres' (horror, melodrama, pornography), wrote 'Hard Core: Power, Pleasure, and the 'Frenzy of the Visible''.

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Jean Mitry

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Considered the first to treat the aesthetics of film with philosophical rigor, wrote 'The Aesthetics and Psychology of Cinema'.

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Vivian Sobchack

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Known for phenomenological approach to film theory, wrote 'The Address of the Eye: A Phenomenology of Film Experience'.

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Jean-Luc Godard

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Contributed to film theory through his work as a filmmaker in the French New Wave, championed auteur theory.

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Siegfried Kracauer

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Emphasized cinema as a reflection of reality, author of 'From Caligari to Hitler: A Psychological History of the German Film'.

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Christian Metz

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Pioneered semiotics in film, known for works like 'Film Language'.

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Homay King

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Examined how new media technologies affect human perception and social identity, wrote 'Virtual Memory: Time-Based Art and the Dream of Digitality'.

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