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Cinematographer: Emmanuel Lubezki. Notable Visual Aspects: Extended uncut sequences, gritty realism, and inventive camera techniques.

Cinematographer: Jarin Blaschke. Notable Visual Aspects: Black and white film stock, 1.19:1 aspect ratio, and surreal, atmospheric imagery.

Cinematographer: James Laxton. Notable Visual Aspects: Use of color to convey emotion, intimate close-ups, and nighttime cinematography.

Cinematographer: Hoyte van Hoytema. Notable Visual Aspects: IMAX film usage, aerial dogfight scenes, and large-scale practical effects.

Cinematographer: Roger Deakins. Notable Visual Aspects: Contrast in lighting, rich shadows, and visually striking Shanghai cityscapes.

Cinematographer: Emmanuel Lubezki. Notable Visual Aspects: Use of natural light, long takes, and immersive nature landscapes.

Cinematographer: Robert Elswit. Notable Visual Aspects: Use of natural and practical lighting, dynamic camera movements, and the stark oil-rigging environment.

Cinematographer: John Seale. Notable Visual Aspects: High-speed action sequences, color grading, and desert landscapes.

Cinematographer: Bruno Delbonnel. Notable Visual Aspects: Unique color palette, whimsical compositions, and fluid camera movement.

Cinematographer: Linus Sandgren. Notable Visual Aspects: Vibrant colors, dynamic tracking shots, and homage to classic musicals.

Cinematographer: Roger Deakins. Notable Visual Aspects: High contrast lighting, minimalist composition, and intense violence portrayed on-screen.

Cinematographer: Wally Pfister. Notable Visual Aspects: Complex special effects, innovative action sequences, and the representation of dream layers.

Cinematographer: Roger Deakins. Notable Visual Aspects: Simulated single-shot take, naturalistic lighting, and trench warfare settings.

Cinematographer: Freddie Young. Notable Visual Aspects: Epic desert vistas, sweeping camera movements, and 70mm film format.

Cinematographer: Hoyte van Hoytema. Notable Visual Aspects: Warm, pastel color palette, intimate close-ups, and a futuristic yet believable Los Angeles.

Cinematographer: Robert Yeoman. Notable Visual Aspects: Symmetrical compositions, vibrant color palette, and aspect ratio changes.

Cinematographer: Roger Deakins. Notable Visual Aspects: Mastery of light and shadow, use of the prison setting, and iconic final beach scene.

Cinematographer: Janusz Kamiński. Notable Visual Aspects: Black and white photography, use of light to convey mood, and the girl in the red coat as a color accent.

Cinematographer: John Alcott. Notable Visual Aspects: Candlelit scenes using fast lenses, composed like 18th-century paintings, and the use of the Zoom lens for dramatic effect.

Cinematographer: Emmanuel Lubezki. Notable Visual Aspects: Ethereal natural light, poetic visual narrative, and experimental sequences.

Cinematographer: Janusz Kamiński. Notable Visual Aspects: Hand-held camera work, desaturated colors, and realistic depiction of the D-Day invasion.

Cinematographer: Roger Deakins. Notable Visual Aspects: Tense shootout sequences, aerial shots, and use of natural lighting.

Cinematographer: Jeff Cronenweth. Notable Visual Aspects: Cool color palette, shallow depth of field, and the rowing race scene filmed with tilt-shift lenses.

Cinematographer: Roger Deakins. Notable Visual Aspects: Use of color, lighting, and vast landscapes.