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The middle section of a screenplay, often the longest, where the protagonist faces obstacles.

A scene in a screenplay that interrupts the present action to depict an event from the past.

An object or device in a screenplay that is a catalyst for the plot but may have little significance on its own.

A type of screenplay with a simple, unique idea that is easy to visualize and has broad appeal.

Narration by a character not seen in the film, often providing context or backstory.

A significant event within a screenplay that spins the story in another direction.

A screenwriting term used to describe the end of a scene, where the image transitions to black.

A speculative screenplay written with no guarantee of payment, written in the hopes of being sold or optioned.

An agreement giving a producer or studio the exclusive right to purchase a screenplay for a certain period.

A detailed outline of a story, including the main events and character arcs, often written before the screenplay.

The portion of a script where the main conflict is resolved and the story is brought to a close.

The final section of a screenplay, featuring the climax and resolution of the story.

The first section of a screenplay, establishing characters, setting, and the inciting incident.

The transformation or inner journey of a character over the course of a story.

A screenwriting term used to describe the transition from black to the first visual image of a screenplay.

A pause in dialogue or a moment in a scene that signifies a shift in emotion or timing.

A script element that specifies location, time of day, and other scene-setting information, usually in CAPS.

A plot point that launches the main action of a story, disrupting the life of the protagonist.

A storytelling framework that divides a narrative into three parts: Setup, Confrontation, and Resolution.

A technique used in screenwriting to hint at events that will occur later in the story.

A secondary storyline that supports and enhances the main plot, often involving supporting characters.

The spoken words of characters in a screenplay, advancing the plot and revealing character.

The final part of a screenplay where the strands of the plot are drawn together and resolved.

Another term for 'slugline,' denoting location and time at the beginning of a scene in a screenplay.

A report that summarizes and evaluates a screenplay, commonly used in the industry as part of the script development process.

A series of shots edited together to compress time, convey information, or create an emotional effect.

A moment in a screenplay where a previously unseen or unknown plot element is made known to the audience.

The point of highest tension in a screenplay, where the protagonist confronts the central conflict.

A one-sentence summary of the main concept of a script, often used as a pitching tool.