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A flam consists of two strokes played almost simultaneously. The grace note (quieter note) is played just before the primary note. It adds texture to rhythms.

A paradiddle-diddle is a six-note pattern played as RLRRLL or LRLLRR. It's useful for transitioning between rhythms and playing at faster tempos due to its alternating nature.

Also known as a press roll, it is played by pressing the sticks into the drumhead to create multiple bounces. It produces a continuous sound and is built up using even pressure by both hands.

A linear drumming pattern that combines two quick notes followed by two regular notes, commonly played in 16th-note rhythm (RL RL-RL RL-).

An inverted flam tap is a variation of the flam tap that alternates the main stroke between the hands. It looks like this: flam R, tap L, flam L, tap R.

Played by gradually increasing the volume of a cymbal roll, moving from soft stick tip strokes to a crescendo. It's used to create a build-up effect in music.

The flamacue consists of a single flam followed by a series of single strokes, often executed as (flam R-L-R L-R L-R-L). It adds flair to drum fills and solos.

These are soft strokes played at a low volume, often used to add groove or texture. Ghost notes are played delicately, usually on the snare, between the main beats.

A type of multiple-bounce rudiment that consists of a series of grace notes leading up to a primary note. Each hand plays in succession to build up to the primary stroke.

A percussion technique that involves alternating strokes (R L R L) using both sticks. This is executed by allowing sticks to bounce naturally while maintaining even spacing and dynamic.

A technique where the hi-hat pedal is pressed down quickly then immediately released, causing the cymbals to 'splash' together. Often used for accents or embellishments.

A combination of single and double strokes (RLRR LRLL). Played in an alternating pattern, it is helpful for developing hand independence and control.

A drumming technique that uses a whipping motion to achieve a variety of strokes (downstroke, tap, and upstroke), which allows for fluid, dynamic playing, and good energy management.

Linear drumming involves creating grooves where no two drums or cymbals are hit at the same time. It requires independence and a good sense of rhythm.

A technique that includes playing two strokes per hand (RR LL RR LL) where each stick bounces twice. Good control and wrist movement are crucial for smooth execution.

A technique where the stick hits both the drumhead and the rim at the same time, creating a loud, sharp sound. This is often used for accentuation.

This rudiment is a triplet-based pattern consisting of a flam followed by two alternating strokes (R L R, L R L). It can be used dynamically within various musical contexts.

Performed by playing three consecutive bounces per hand (RRR LLL). This technique requires a loose grip and an ability to control multiple bounces at a consistent volume.

An accent is a note that is played louder than the surrounding notes, used to emphasize certain beats. Technique often involves a greater stroke height and snap from the wrist.

Technique where the hi-hat cymbals are struck while open and then closed rapidly to create a sharp, defined sound. It adds accent and variation to drum patterns.

This technique involves placing the stick across the snare drum with the tip on the opposite head while striking the rim with the shaft. It yields a woodblock-like sound.

Refers to the various methods of striking the bass drum with a pedal, such as heel-up for power or heel-down for control. Can be used to support groove and timing.

Produced by striking the hi-hat cymbals with the stick while closing the pedal sharply. This creates a loud 'bark' and is a common accent in various music styles.

Similar to a flam, a drag includes a double stroke grace note before the primary stroke. This requires a delicate and controlled double bounce with one stick preceding the main note.