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Description: A Plagal Cadence moves from the IV chord to the I chord. How it Sounds: It gives a feeling of 'Amen', often used in religious or hymnal contexts.

Description: A Perfect Authentic Cadence (PAC) occurs when a V chord resolves to a I chord with both chords in root position and the tonic note is in the highest voice of the I chord. How it Sounds: It sounds final and conclusive, typically found at the end of phrases or pieces.

Description: An Imperfect Authentic Cadence (IAC) occurs when a V chord resolves to a I chord, but with one or both chords inverted or the tonic not in the highest voice. How it Sounds: It sounds conclusive but not as strong as a Perfect Authentic Cadence.

Description: A Deceptive Cadence occurs when a V chord resolves to any chord other than the I chord, typically to the vi chord. How it Sounds: It's surprising and creates an unexpected twist, often prolonging the music.

Description: A Phrygian Half Cadence is formed by a iv6 (IV chord in first inversion) moving to V in a minor key. How it Sounds: It has an exotic, old-fashioned feel; tense and dramatic.

Description: A Half Cadence occurs when a phrase ends on the V chord, creating a pause or partial stop rather than a complete conclusion. How it Sounds: It feels suspended or unfinished, prompting continuation of the music.

Description: A Picardy Third refers to the practice of ending a minor piece with a major tonic chord, specifically replacing the minor third of the final I chord with a major third. How it Sounds: It adds a suddenly bright or uplifting quality to the resolution of a minor piece.