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Execute the broken chord pattern with a consistent rhythm, usually lowest note followed by the highest, middle, then back to the highest.

Play with emphasis on the off-beat notes where the syncopation occurs, which can often be found on beats 2 and 4.

Remember to lower the sixth and seventh notes as you descend, which are different from the ascending form.

Keep the fingering consistent with the scale pattern, including the Bb.

Play each note sharply and detached, releasing the key quickly after pressing it.

Use alternating fingers or rotating wrist motion to repeat notes quickly and reduce fatigue.

Count this pattern as '1-and-a' with the dotted quarter note taking up '1-and' and the eighth note on the 'a'.

Emphasize the off-beats where the syncopation occurs, often found on the 'and' of beats.

Connect the notes smoothly, use appropriate finger crossing, and pedal to transition between triads cleanly.

Start with both thumbs on middle C and move outwards, playing every semitone.

Play three notes in one hand for every two in the other, aligning the first note of each group together.

Quickly play the grace note immediately before the principal note, making it sound like a quick appoggiatura.

Change the sustain pedal precisely at each pedal marking to ensure a clean legato effect without blurring the notes.

Play each note of the C major chord separately, using the correct fingering for the chosen inversion.

Play each group of sixteenth notes evenly, using alternate fingering for speed and precision.

Keep the wrist loose and use arm weight to move between octaves efficiently.

Play the sforzando with a sudden forceful emphasis, then immediately release the note to its normal volume.

Gradually increase the volume from pianissimo (pp) to fortissimo (ff) to create a dynamic swell.

Use the correct fingering for a C Major scale, which involves tucking the thumb under the third finger.

Maintain independence between the hands. Ensure that each voice can be heard clearly.

Alternate quickly between two adjacent notes over the duration that the trill is written.

Play with strong, marked accents and maintain a bold dynamic throughout the march rhythm.

Play the same note simultaneously with both hands an octave apart, ensuring both hands strike the keys at the exact same moment.

Hold the note longer than its written value, following the conductor's or your own musical judgement.

Anticipate the jump and quickly move your left hand from the bass note to middle C without hesitation.

Execute the trill with the exact number of alternations written, fitting them into the rhythmic value given.

Play staccato notes sharply and detached, while legato notes should be played smoothly and connected.

Play with a very light touch, using a gentle arm weight and keeping fingers close to the keys.