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Lighting Gels and Filters
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Bastard Amber
Provides a warm, peach-like hue, especially useful for sunset or skin tone enhancement.
Medium Yellow
A muted yellow filter, perfect for subtle sunrise effects or to emulate late afternoon light.
1/4 CTO
Lightly converts daylight to a warmer color temperature, subtler than full CTO.
Primary Red
Creates a strong red wash, used for dramatic or aggressive scenes.
Full Diffusion
Softens the beam and reduces harsh shadows; creates an even light.
Surprise Pink
Offers a soft pink hue, which can be flattering for skin tones or for creating a romantic atmosphere.
No Color Pink
Offers a slight pink tint with minimal color saturation, helping with skin tones and overall warmth.
Plus Green
Adds a green tint, which can be used to match fluorescent lighting or to add a sickly effect.
Primary Blue
Produces a deep blue wash, used for night scenes or melancholy moods.
Moonlight White
A soft, neutral white that simulates the effect of moonlight, not as cold as pure blue filters.
Cosmetic Peach
Enhances skin tones by adding a warm peach light, good for close-ups or portrait lighting.
CTO (Color Temperature Orange)
Converts daylight to tungsten light; warms up the light source.
Chocolate
Conveys a sense of warmth and richness, similar to a comforting, late-evening light.
Urban Blue
Gives off a contemporary cool blue tone, evocative of urban nightscapes or electronic ambiance.
Blackwrap
Matte black aluminum foil used for shaping or blocking light.
Golden Amber
Simulates the warm, golden light of the golden hour or candlelight.
Highlight Yellow
Introduces a bright and cheerful yellow, which can mimic the effect of sunlight.
Rosy Pink
A vibrant pink filter that can simulate a sunset or add a rosy complexion to skin tones.
Sunlight Yellow
Generates a warm, subtle yellow, imitating late-morning sunlight.
Opal
Offers a very light diffusion, almost imperceptible, which softens the beam edge just slightly.
Minus Green
Cancels out green hues, useful when correcting light sources with too much green like some fluorescents.
Half Diffusion
Softens the light less than full diffusion; gentle softening of shadows.
Moss Green
Evokes the deep, muted green of moss or dense greenery, ideal for shaded or mysterious settings.
1/4 CTB
Gently cools down warm light sources, less drastic than a full CTB.
Neutral Density (ND)
Reduces the intensity of light without changing its color; good for precise lighting control.
Lavender
Gives a light purple tint, often used for morning or romantic scenes.
Light Red
A less intense red that offers a softer, more diffused light for scenes requiring subtlety.
Magenta
Projects a bright pinkish-purple light, suited for musical or dance performances.
Moonlight Blue
A cooler, desaturated blue used to evoke night scenes, especially with moonlight.
Steel Blue
Gives a cooler, subtle blue tone, sometimes used for moonlight or cold scenes.
Spun
Creates a soft, diffused light similar to frost but with a more textile texture effect.
Hampshire Frost
A heavier diffusion that creates a soft, shadowless light, often used for film or TV.
CTB (Color Temperature Blue)
Converts tungsten light to daylight; cools down the light source.
Peacock Blue
Delivers a deep blue-green color, evoking water or tropical settings.
Flame Red
Produces a fiery red tone, utilized to create intense and dynamic scenes that may involve fire or heat.
Primary Green
Creates a vibrant green wash, suggesting nature or eerie settings.
Shamrock Green
Projects a bright and fresh green, typically used for springtime scenes or to represent foliage.
Leaf Green
Imitates the color of leafy foliage, ideal for outdoor scenes or to evoke a sense of being enveloped by nature.
Mist Blue
Provides a light, airy blue that can simulate a misty or hazy effect.
Frost
Spreads light beam evenly, reducing hotspots and creating a soft-glow effect.
Light Straw
Adds a warm and subtle amber light, mimicking late afternoon sunlight.
Congo Blue
Emits a very deep blue, almost ultraviolet light, often used for special effects or black light simulations.
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