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Early Cinema and Its Pioneers

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John Ford

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The Searchers, Stagecoach, Western Genre

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Sergei Eisenstein

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Battleship Potemkin, October, Montage theory

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Fritz Lang

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Metropolis, M, German Expressionism

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Robert Wiene

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The Cabinet of Dr. Caligari, Genuine, Expressionist cinema

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Charlie Chaplin

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The Great Dictator, Modern Times, Silent film icon

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Ingmar Bergman

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The Seventh Seal, Wild Strawberries, Existential themes

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Luis Buñuel

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Un Chien Andalou, The Discreet Charm of the Bourgeoisie, Surrealism

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The Lumière Brothers

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Cinématographe, Workers Leaving the Lumière Factory, The Arrival of a Train

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Jean-Luc Godard

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Breathless, A Woman Is a Woman, French New Wave

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Leni Riefenstahl

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Triumph of the Will, Olympia, Cinematic innovation & Propaganda

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D.W. Griffith

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The Birth of a Nation, Intolerance, Pioneering narrative techniques

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Buster Keaton

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The General, Steamboat Bill Jr., Silent film and physical comedy

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Robert J. Flaherty

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Nanook of the North, Man of Aran, Documentary and Ethnographic Film

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G.W. Pabst

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Pandora's Box, Diary of a Lost Girl, Silent Cinema and New Objectivity

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Howard Hawks

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Scarface, The Big Sleep, Genre versatility

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Cecil B. DeMille

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The Ten Commandments, Cleopatra, Spectacle and the Epic

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Thomas Edison

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Black Maria Studio, The Kiss, Invention of the Kinetoscope

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Maya Deren

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Meshes of the Afternoon, At Land, Avant-garde filmmaking

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George Méliès

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A Trip to the Moon, The Impossible Voyage, Early special effects

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Stanley Kubrick

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2001: A Space Odyssey, A Clockwork Orange, Cinematic Artistry

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Billy Wilder

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Sunset Boulevard, Some Like It Hot, Storytelling and Film Noir

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Orson Welles

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Citizen Kane, The War of the Worlds, Deep focus

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Akira Kurosawa

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Seven Samurai, Rashomon, Jidaigeki Epics

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Alfred Hitchcock

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Psycho, Rear Window, Master of Suspense

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Federico Fellini

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La Dolce Vita, 8½, Italian Neorealism

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John Cassavetes

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Faces, A Woman Under the Influence, Independent Film Movement

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