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1984, One of the first fully computer-animated films, showcasing advanced techniques like motion blur.

2016, A new storytelling medium that allows for immersive experiences, with films like 'Invasion!' leading the way.

1981, A book by two Disney animators that outlined the twelve basic principles of animation still used today.

1866, A device that produced the illusion of motion by displaying a sequence of drawings showing progressive phases of that motion.

1914, One of the first animated films to feature a dinosaur, Gertie, which represented a milestone for character animation.

1989, A digital ink and paint system developed by Disney and Pixar, which brought a move away from traditional cel animation.

1930s, A technique where animators physically manipulate or draw directly on film strips, bypassing the need for cameras.

1915, An animation technique where animators trace over live-action film to create realistic movements.

1833, An early animation device that created a fluid illusion of motion from a series of pictures.

1937, Revolutionized the look of animation by adding depth to scenes with multiple layers.

1982, A visual effect in which one image transforms into another, which became widely used in films and animation.

1972, 'A Computer Animated Hand' created by Ed Catmull and Fred Parke showcased the potential of 3D computer graphics.

Early 2000s, The transition from traditional cel animation to computerized versions allowed for more efficient creation and manipulation of 2D animations.

1995, The first entirely computer-animated feature film, marking a new era in animation.

1961, A technique that allowed animators to photocopy their drawings directly onto the cels, leading to cost-saving and efficiency.

2009, 'Avatar' revolutionized this technology, capturing actors’ movements and expressions to animate photorealistic digital characters.

1914, The traditional method of animation using hand-drawn images on transparent sheets called 'cels'.

1928, Disney’s first animated cartoon with synchronized sound and introduced Mickey Mouse.

1920s, This technique involves photographing an object one frame at a time, with physical changes made between frames to create the illusion of movement.