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Layered textures consist of multiple musical layers that are independent in rhythm and melody but create a cohesive sound when combined. A conductor should use separate gestures for each layer and cue the entrances while balancing the levels and dynamics of each layer.

Monophonic texture features a single melodic line without any harmonic accompaniment. When conducting monophonic textures, clarity of beat and rhythm is crucial, and the conductor should focus on conveying the expression and contour of the single line.

Ostinato refers to a persistent, repetitive musical figure or pattern. To effectively convey an ostinato texture, a conductor must emphasize the constancy and regularity of the repeating figure while managing the dynamics and texture around the ostinato.

Heterophonic texture occurs when a melody is performed with slight variations of the same tune happening simultaneously. Conductors should encourage expressivity, allowing for slight individual variations while maintaining the overall sense of unity in the performance.

In biphonic texture, two distinct lines are heard concurrently: a sustained drone and a melody. The conductor's role involves balancing the drone and melody, with gestures that underline the drone's stability and the melodic line's movement.

Contrapuntal texture is another term for polyphonic texture, highlighting independent melodies intertwining. The conductor must clearly bring out each voice, weave the lines together cohesively, and use different planes of movement to differentiate between the lines.

In a canonic texture, a melody is imitated exactly after a certain interval by another part. Conductors should ensure that the leading voice is clear, with precise cueing for the following voices to maintain the strict imitative structure.

Polyphonic texture consists of two or more independent melodic lines occurring simultaneously. Conductors must clearly indicate entrances, balance the different lines, and maintain clarity in texture by using precise and separate gestures for each line.

Melodic texture focuses on a single prominent melody that is the focal point. In conducting a melodic texture, the conductor should focus on the lyrical shaping of the line, phrasing, and articulation, while minimizing the accompaniment gestures.

Textural contrast involves the use of different textures within the same piece to create variation. Conductors should prepare transitions between textures clearly, use gestures to contrast the textures, and cue changes in dynamics or articulation that accompany the textural shifts.

A fugal texture involves the interplay of melodies through imitation in a structured format (fugue). As a conductor, pointing out the subject and entries, emphasizing the answer, and maintaining clarity during episodes is crucial to convey a fugal texture.

Homorhythmic texture is similar to homophonic, but all voices move together rhythmically. Conductors must sync all parts to align rhythmically and should use clear, synchronized gestures to ensure a unified rhythmic pulse.

Homophonic texture refers to music with a single dominant melody accompanied by chords. When conducting homophonic music, the conductor should emphasize the melodic line, using the baton to highlight phrasing and dynamics, while ensuring the accompaniment supports but does not overpower the melody.

Imitative texture is characterized by the repetition of a melodic theme in different musical lines. The conductor should clearly indicate each entrance of the imitative figure and ensure that the echoes and imitative aspects are balanced and audible in the texture.