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Choral Voice Types

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This voice type is characterized by a higher range and a brighter timbre, often taking the melody line in choral pieces.

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Soprano

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Rich and resonant, this male voice type has a range lower than tenor but higher than bass.

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Baritone

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This lower female voice range has a warm and dark timbre and often plays supporting roles in choir and opera.

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Alto

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The lowest male voice type with a deep, rich, and reverberant sound.

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Bass

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A male voice type that is higher than a baritone and characterized by its ability to sing in a high tessitura with ease.

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Tenor

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A very agile and high female voice, capable of fast vocal runs and high leaps.

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Coloratura Soprano

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A rare and dark female voice that is the lowest female voice type.

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Contralto

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A male voice type that is even rarer than the countertenor and characterized by an extended upper range.

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Castrato

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A voice type showcasing a smooth, mellow timbre, and is generally assigned to teenage boys or adult males who sing in the alto range using a falsetto-like technique.

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Countertenor

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A warm, lyrical male voice type with a sense of vulnerability, often found in romantic opera roles.

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Lyric Tenor

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This female voice type combines power with warmth, and is suited for a wide array of musical styles, from opera to popular music.

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Mezzo-Soprano

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A male voice that has the power to sing over a full orchestra, suitable for dramatic and heroic roles.

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Dramatic Tenor

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Possessing a powerful voice, with a rich and ringing timbre, this female voice type is suited for tragic and dramatic roles.

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Dramatic Soprano

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A male voice that is characterized by its light, graceful, and fluid quality, well-suited for roles requiring agility over brute strength.

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Leggero Tenor

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This voice is similar to a lyric soprano but with a lighter sound and tends to have an easier time singing high notes.

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Soubrette

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The most nimble and lightest subcategory of soprano known for exceptionally high, agile, and light singing.

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Lyric Coloratura Soprano

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A robust and rich female voice, capable of expressing deep emotions, and singing a demanding repertoire.

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Dramatic Mezzo-Soprano

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This voice possesses the dark timbre of a contralto but with the range and agility more typical of a mezzo-soprano.

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Falcon

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The male equivalent of a mezzo-soprano whose voice lies between that of a tenor and a baritone.

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Baryton-Martin

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The lowest female voice, similar to a contralto, with a quality that can fill an operatic hall or provide a foundation for a choral group.

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