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A relaxed, softer style that emerged in the late 1940s and 1950s, marked by smooth sounds and moderate tempos.

Focuses on improvisation over scales (modes) rather than chord progressions, popularized by Miles Davis in the late 1950s.

Refers to the type of large jazz orchestra popular from the 1930s to the 1950s, featuring brass, woodwinds, and a rhythm section.

A genre that combines elements of Bebop with blues and gospel music, featuring a more soulful and rhythmic approach.

An avant-garde approach characterized by the absence of set chord patterns or time signatures, allowing musicians complete freedom.

A fusion of jazz with Latin American rhythms, particularly Afro-Cuban and Brazilian music, often featuring percussion instruments.

A groove-oriented style of jazz that incorporates influences from R&B, funk, and gospel, developed in the 1950s and 1960s.

Also known as Jazz Manouche, it's a style of jazz often played with acoustic guitars and violin, emphasizing nimble technique.

A musical genre that combines elements of jazz, funk, hip-hop, and soul, known for its danceable grooves.

A complex and fast-paced style of jazz that emerged in the 1940s, characterized by intricate melodies and harmonies.

A style of jazz that originated in the 1930s, defined by strong rhythmic grooves and big bands.

A subgenre characterized by its down-tempo melodies that combine jazz elements with pop music and R&B.

A genre that blends jazz improvisation with styles such as funk, rock, and world music, emerging in the late 1960s.

An experimental approach to jazz that pushes the boundaries of traditional structure and harmony, often atonal and dissonant.