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Promoter of the functional approach to voice training, focusing on the physiological aspects of voice production.

A voice scientist who has greatly contributed to the understanding of the physics behind voice production.

Wrote 'Singing: The Mechanism and the Technique', which became a standard text for voice teachers.

Created Somatic Voicework™, a body-based method of vocal training which meshes well with contemporary commercial music.

Developed the 'bel canto' technique and emphasized the importance of breath control and support.

Pioneer of the 'Functional Unity of the Voice', suggesting that chest and head voice should be blended.

His studies led to the development of a vowel modification approach called the Coffin method.

Integrated Alexander Technique into vocal training to improve posture and breathing.

Not a single person, but a school of thought in singing that includes a notable line of teachers, stressing the importance of scientific approach and vocal agility.

Developed Linklater voice technique to free the natural voice and connect the voice to emotional and imaginative impulses.

Studied the teachings of the old Italian school and trained teachers to continue these traditional methods.

Developed a vocal technique based on the natural voice, father of Giovanni Battista Lamperti.

Wrote 'The Structure of Singing' and 'On the Art of Singing' advocating a technically and artistically balanced approach.

Invented the laryngoscope, which allowed for better understanding of vocal function and voice production.