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The chest voice is a lower, warmer, and richer vocal register used in speech and lower singing tones.

The head voice is a higher vocal register with a resonant, ringing quality, characteristic of upper range singing.

The mixed voice combines elements of chest and head voices to create a balanced, blended sound, useful for transitioning between registers.

The whistle register is the highest vocal register, producing flute-like tones, found primarily in female voices.

A usually male vocal register that extends above the modal voice, falsetto is lighter, airier, and often used to reach notes higher than chest voice allows.

Vocal fry is a creaky, lowest register used for adding texture or expressiveness to singing or speech.

The modal voice is the most commonly used register for speech and singing, encompassing the range between the lowest and highest pitches produced with normal phonation.

Belting involves singing with a strong chest voice projected through the upper part of the vocal range, commonly found in musical theatre and pop music.

The subharmonic register is created by using a second set of vocal cords to vibrate along with the main vocal cords, allowing for lower pitches than the singer's normal range.

Similar to the whistle register, the flageolet register is used to produce extremely high pitches by creating a small, tight space in the vocal cords.

Strohbass is often characterized by pulsating low pitches created by loose vocal folds and can include pitch or simply vocal fry noises.

Speech level singing aims for effortless singing as if speaking on pitch, using minimal tension to explore natural resonance and tone.

Vocal fry is a low register that produces a popping or rattling sound at the bottom of the vocal range and is used for stylistic purposes or vocal warm-ups.

Falset is another term for the falsetto register, mostly used in classical contexts, often lighter and with less dynamic control than full voice.

This register is typically used by classical tenors to achieve a light and agile sound that can move quickly through runs and trills.

A blend of chest voice with a slight mix allowing for greater power without straining the voice, ideal for rock and pop music.

Head mix register uses a balanced mix of head voice resonance, allowing for smoother upper range transitions with less strain than pure head voice singing.

Reinforced falsetto strengthens the usual falsetto sound by adding some full voice qualities, making the tone stronger and more connected.

The super head register encompasses an area above the regular head voice, often used in classical music soprano roles for notes that require a very light and pinging sound.