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A production that removes the stage and immerses the audience in the environment of the play, with interactive elements.

An approach that is self-conscious, fragmented, and challenges traditional narratives and concepts.

A form of documentary theatre where plays are constructed from the precise words spoken by people interviewed about a particular event or topic.

A style of drama that emphasizes simplicity through sparse set designs, limited props, and often shorter dialogue.

A type of drama that seeks to shock the audience with aggressive confrontational material.

Playwriting that features the playwright telling their own life story as the central subject of the play, possibly performed by themselves.

A genre that uses pre-existing documentary material (such as newspapers, government reports, interviews) as source material for the script, often without altering it.

Theater designed to be performed in a non-traditional space suited to the content of the play.

Plays that comment on political issues, aiming to provoke discussion or incite political action.

Associated with Bertolt Brecht, this style aims to encourage rational self-reflection and a critical view of the action on the stage.

Plays which express the belief that human existence has no meaning or purpose and therefore all communication breaks down.

Incorporates digital technology into the production, which can include projections, digital scenery, and multimedia interactions.

A literary mode where magical elements are a natural part of an otherwise mundane, realistic environment.

A style of writing where the play reflects upon itself, making the audience aware that they are watching a play.