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A specialized microphone array with multiple capsules used to capture spatial audio information, particularly for higher-order ambisonics. In spatial audio, it provides detailed sound capture for immersive audio reproduction.

An extension of standard Ambisonics that uses more channels to represent the sound field, allowing for greater detail and accuracy in spatial audio reproduction.

A stereo format derived from B-Format signals that preserves some spatial characteristics. In spatial audio, UHJ format can be played back over standard stereo equipment while still conveying a sense of space.

The process by which listeners determine the location of a sound source. In spatial audio, techniques like binaural recording and Ambisonics contribute to accurate sound localisation.

A response that characterizes how an ear receives a sound from a point in space, accounting for the effects of the head and body. In spatial audio, HRTF filters are used to simulate how sound would reach a listener's ears from any given point.

The standard format for ambisonics that includes one channel for pressure (W) and three channels for the spatial components (X, Y, Z). In spatial audio, B-Format signals are used to reproduce sound fields.

A full-sphere surround sound technique that captures and plays back audio in a way that can be manipulated in three dimensions. In spatial audio, it is used to create immersive environments by accurately representing sound direction and distance.

A type of microphone designed to capture audio in A-Format, which is then converted to B-Format. In spatial audio, soundfield microphones are used for their ability to record sound with spatial information.

A multi-channel format for transmitting and storing ambisonic audio data. In spatial audio, AmbiX is often used to store and work with higher-order ambisonic (HOA) recordings.

An audio format and technology designed to expand on traditional surround sound systems by adding height channels, allowing sounds to be placed and moved in three-dimensional space. In spatial audio, Dolby Atmos is used to create highly realistic and immersive sound environments.

The raw output from an ambisonic microphone, before being converted into B-Format. In spatial audio, A-Format is not used directly but transformed to be compatible with ambisonic decoders.

An audio recording technique that uses two microphones to create a 3D stereo sound sensation, replicating the way humans naturally hear. In spatial audio, binaural audio provides an immersive listening experience with headphones.

The International Telecommunication Union standard for 5.1 surround sound configurations using 5 full bandwidth channels and one low-frequency effects channel. In spatial audio, this setup is the basis for more immersive sound experiences.

The process of manipulating audio to create the illusion that sounds are coming from specific locations in three-dimensional space. In spatial audio, spatialization tools are used to enhance the immersiveness of audio content.