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A relief printing technique where an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed. The woodblock is then inked and pressed onto paper. Originated in East Asia during the 9th century.

A printmaking process where the artist uses a tool called a burin to cut into a metal plate, creating a design in the metal. The plate is then inked and wiped clean, leaving ink in the incisions. Paper is pressed against the plate to transfer the ink. This technique was developed during the 15th century in Europe.

Using acid or mordant to cut into the unprotected parts of a metal plate to create a design. It began as a method to decorate armor in the Middle Ages and was adapted for printmaking in the 16th century.

A method of printing based on the immiscibility of oil and water. The artist draws with a greasy substance on a lithographic limestone or a metal plate. After chemical treatment, the image attracts ink while the wet non-image areas repel it. Invented in the late 18th century by Alois Senefelder.

This technique involves creating a stencil (a 'screen') and using it to apply layers of ink on a printing surface. Multiple layers can be used to create a multicolored image. It originated in China during the Song Dynasty and became popular in the 20th century with artists like Andy Warhol.

A printmaking technique creating a single impression by painting on a smooth, non-absorbent surface like metal or glass. The image is then pressed onto a sheet of paper. This method was developed in the 17th century and allows for a high degree of spontaneity.

Similar to a woodcut but using a sheet of linoleum as the relief surface. The design is cut into the linoleum surface, inked, and then printed. This technique became popular in the 20th century.

A variant of etching that uses powdered rosin to create a tonal effect. The rosin is acid-resistant and the plate is submerged in acid, creating areas of tone rather than lines. This technique was developed in the 18th century.

An intaglio technique where an image is incised into a plate with a hard-pointed needle of sharp metal or diamond point. It is characterized by its rich, soft, and velvety lines. It is often combined with other intaglio techniques.

A printmaking process in which materials are applied to a rigid substrate (such as cardboard or wood). The plate can be inked with relief, intaglio, or both. Developed in the mid-20th century, it is seen as a relatively straightforward, experimental approach.

An intaglio printmaking process known for its rich blacks and subtle gradation of tone. The plate is working over with a tool called a rocker, creating a rough surface. Then, areas are smoothed to create lighter tones. This technique dates back to the 17th century.

A process that combines photography and etching. A copper plate is coated with a light-sensitive gelatin tissue which is then etched, producing a high-quality image. Introduced in the 19th century, it's appreciated for its high level of detail and tonal range.

A technique used to adhere a thin sheet of paper onto a heavier sheet before passing them through a printing press. It enables the use of delicate and lightweight papers and was first introduced in the 19th century.

A contemporary printmaking method that uses digital or electronic files to produce prints with a printer, bypassing traditional methods of plates or stencils. It includes techniques like inkjet, giclée, and laser printing. It has gained immense popularity in the 21st century.

A modern printmaking process that creates a metallic finish using heat and pressure to apply foil onto a surface. Artists often use it in conjunction with traditional printmaking methods, introducing it in the late 20th century.

A printmaking technique where wet plaster is used as the matrix for creating images. This method allows for direct and expressive marks and can also capture textures and objects pressed into the plaster. Gained recognition in contemporary printmaking practice.

A method of intaglio printmaking that uses different viscosities of ink to layer multiple colors on a single plate. Developed by Stanley William Hayter in the mid-20th century, it allows for greater color complexity in intaglio prints.

Photographic printing process that produces a cyan-blue print, using two chemicals: ammonium iron(III) citrate and potassium ferricyanide. Invented in the early 19th century by Sir John Herschel, it was initially used for blueprints.

A family of printmaking techniques where protruding surface faces of the printing plate or block are inked; recessed areas are ink free. Originated with the woodcut in China, and includes linocut, wood engraving, and modern relief etching.