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Determines the timbre by shaping the sound wave; options include sine, square, sawtooth, and triangle waves.

Adjusts the frequency at which the filter starts to attenuate frequencies above (low-pass) or below (high-pass) it.

Emphasizes frequencies around the cutoff point, which can add a 'ringing' or 'whistling' sound.

Shapes the amplitude or other parameters over time with stages like Attack, Decay, Sustain, and Release.

The time taken for the initial increase from zero amplitude to peak amplitude after a note is played.

The time taken for the sound to fall from the attack peak to the sustain level.

The amplitude level during the main sequence of the sound, after decay and until release is triggered.

The time taken for the sound to decay to zero after the key is released.

Controls the speed at which the Low Frequency Oscillator modulates another parameter, like pitch or filter cutoff.

Determines the amount of modulation applied to a parameter by the Low Frequency Oscillator.

Slightly shifts the pitch of an oscillator relative to others to create a thicker, chorused sound.

The time it takes for a pitch to glide from one note to the next, creating a smooth transition effect.

Varies the volume with another oscillator to create tremolo effects or more complex timbres.

Uses the frequency of one oscillator to modulate another, creating complex harmonic content.

Produces white, pink, or other types of noise for percussive sounds or to add texture.

Adjusts the duty cycle of a square wave, affecting the harmonic content and timbre of the sound.

Mixes two oscillators in a way that creates new, often inharmonic, frequencies.

Determines the number of notes that can be played simultaneously on a synthesizer.

Allows the strength with which a key is pressed to influence the sound's volume or other parameters.