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Middle Eastern Music Scales

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Maqam Bayati

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Contains a lowered second scale degree, often used in Arabic music.

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Maqam Shadd araban

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It has a minor second, major third, and a minor sixth that give it a strong and striking sound commonly used in vocal performances.

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Maqam Awj

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It is characterized by its ascending fourth degree and is known to convey joy and optimism.

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Maqam Ajam

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A bright and happy-sounding maqam, it is basically the Middle Eastern equivalent of a major scale.

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Maqam Huzam

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Rooted in Maqam Rast, it brings a tension that's unsettled through its use of a lowered second and sixth degree, making it heart-wrenchingly beautiful.

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Maqam Saba

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Has a lowered third and seventh scale degree, frequently heard in lamentations and emotional pieces.

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Maqam Nahawand

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Similar to the Western minor scale, it's a maqam used extensively in Turkish and Arabic music.

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Maqam Kurd

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This scale features a flat fourth and a flat seventh, prevalent in folk music across the Middle East.

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Maqam Rast

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A staple in Arabic music, often played in a moderate tempo, this maqam is considered to be very melodic.

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Maqam Lami

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This maqam has a distinctive use of a raised fourth scale degree, and is often used in both secular and sacred Arabic music.

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Maqam Hijaz

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Known for its exotic and emotional sound, characterized by an augmented second interval.

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Maqam Sikah

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Characterized by its lowered second and raised third degree, this scale forms the basis of many other maqams.

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Maqam Nawa Athar

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A maqam known for blending elements of Maqam Nahawand and Maqam Athar Kurd.

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Maqam Mustaar

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This maqam is unique for its use of a half-flat second and sixth degree.

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Maqam Athar Kurd

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Combines elements of Maqam Kurd and Maqam Hijaz, creating a dramatic and haunting musical atmosphere.

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