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Different types of microphones capture sound in various ways. Stage managers should know the common types (dynamic, condenser, etc.) to ensure proper equipment is used.

A unit of measurement for sound intensity or loudness. Stage managers must monitor sound levels to ensure they meet the director's vision and comply with safety standards.

The device used to combine and manipulate audio signals from various sources. Stage managers should have a basic understanding to communicate effectively with sound technicians.

A set of speakers that face towards the performers allowing them to hear the performance mix. Stage managers need to communicate with performers and technicians about monitoring needs.

An electronic device that increases the power of an audio signal. Stage managers should ensure that amplifiers are correctly configured to prevent distortion or damage.

A document that outlines the sound design, including equipment, placement, and cues. Stage managers utilize the sound plot to ensure consistency and accuracy during performances.

The high-pitched noise caused when a microphone picks up sound from a speaker that is amplifying the microphone's signal. Stage managers should work with the sound team to mitigate feedback.

Refers to the number of sound vibrations per second, measured in Hertz (Hz). Knowledge of frequency helps stage managers understand pitch and its impact on the auditory experience.

The process of adjusting the balance between frequency components within an audio signal. Stage managers should know that EQ is used to shape the sound for clarity and balance in the space.

A specific event in the sound design that is executed during a performance. Stage managers must be precise in timing and execution of sound cues.

The reproduction of everyday sounds for use in filmmaking, but also in theatre production to enhance the realism of the scene. Stage managers may need to execute or cue these live.